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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LATVIAN Channel 18
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DANISH Channel 19
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HUNGARIAN Channel 20
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Venice Film Festival 2026: Orlando Bloom and Domhnall Gleeson on working with a master, an unrepeatable script, and the twin performances of Kate and Rooney Mara in Bucking Fastard
"Ho cercato di trasmettere l’importanza di vivere e di rispettare le emozioni profonde come l’amore, che nel film, quando perduto, diventa dolore"
"Per noi è stato più importante raccontare la vita di Luca più che la sua morte, focalizzandoci sull'età della giovinezza, un periodo delicato fatto di incertezze e ricerca di sé".
"Shumei: The Living Legacy Of Kabuki": Takashi Miike e Ichikawa Danjūrō XIII discutono dell’eredità artistica, della famiglia e del futuro del Kabuki.
Giornate degli Autori - Venezia
Anatomia di un ritratto di Clerici e Colombo, alle Giornate degli Autori 2026: il documentario su Fernanda Wittgens.
Noemi Arfuso racconta E-I-E-I-O, il suo corto tra videosorveglianza e IA, alla Settimana della Critica di Venezia 2026.
Venice Film Festival 2026, Werner Herzog on his tribute to David Lynch, two sisters who speak in unison, and a film with no precedent in Bucking Fastard
Sergei Loznitsa, director of Imperium, at Venice 2026 on Soviet archive footage and reconstructing the history of the USSR.
Eklipse director Manuel Wetscher, at Venice 2026, on HIV stigma, autobiographical memory and blending fiction with VHS footage.
Michael Dweck and Gregory Kershaw talk about Burgundy, their new documentary at the Venice Film Festival 2026.
Balcanica, colonna sonora di Michele Braga, alle Giornate degli Autori di Venezia 2026: musica e rotta balcanica.
At the Venice Film Festival 2026, John Malkovich and Sam Rockwell on old friendships, fear and the shadow of Chile's history in Wild Horse Nine
Sumo: Spirit Weighs Nothing explores the sacrifices, friendships and inner battles shaping Japan’s ancient wrestling tradition.
In FALLING HOUSE (Moragheb), Mohsen Gharaei discusses a family home transformed into a prison by fear, authority and the desire for freedom.
Giornate degli Autori - Venezia
Waiting for Ken Loach di Simone Amendola, alle Giornate degli Autori a Venezia 2026: la storia di un cinema riaperto dai ragazzi di Mesagne.
Interview with Leonidas Christopoulos, CEO of EKKOMED, on the new strategy for Greek audiovisual, at Venice 2026.
Giornate degli Autori - Venezia
Roberta Torre e Barbara Ronchi raccontano Scarpe Rotte, film d'apertura di Notti Veneziane alle Giornate degli Autori 2026.
Intervista a Maria Gimenez Cavallo, regista di Les Metamorphoses, au feminin, presentato alla Settimana Internazionale della Critica di Venezia 2026.
SIC di Venezia 2026, Marco Santi e Edoardo Pesce raccontano la fame di fama e il sottile confine tra essere e apparire in Il Grande Giaffa.
Venice Immersive turns 10: curator Michel Reilhac on the evolution of immersive art, from virtual socializing to collective storytelling.
At the Venice Film Festival 2026, Martin McDonagh on two CIA agents, a doomed friendship and the shadow of Chile's 1973 coup in Wild Horse Nine
Opening Orizzonti at Venice 83 with La ragazza con la Leica, Alina Marazzi and Emilia Schüle on Gerda Taro's legacy and the courage of today's war reporters
Pascal Diot, director of Venice Production Bridge, on its 15th anniversary and new Location Market, at Venice 2026.
Opening Venice's Mostra 2026 with his festival debut, INK, Danny Boyle on the 1969 birth of The Sun, journalism as a pillar of humanity threatened by AI, and his refusal to turn Rupert Murdoch into a monster
Your daily guide to the film market at Venice Production Bridge 2026 — panels, meetings and international guests you can't miss.
Plague: Youssef Chebbi's second feature about twin brothers and a palm tree parasite in Tunisia, selected for Final Cut in Venice 2026.
Madi Makambu: Machérie Ekwa Bahango's second feature explores denied pregnancy in Kinshasa, selected for Final Cut in Venice 2026.
Rula Nasser presents "Occupational Hazards" at the Venice Film Festival 2026, exploring Palestinian family resilience through dark comedy. Click to read!
Discover the intriguing story behind A quarter to Thursday, a surreal film exploring absurdity, politics, and resilience in a world lacking common sense.
Eldorado, the taste of the South explores migration, utopia, and societal critique with humor and depth—discover this powerful, engaging film's story and production journey.
