“Adam’s Sake”, interview with actress and Shooting Star 2022 Anamaria Vartolomei
Laura Wandel’s Adam’s sake, at the Semaine de la critique, relies on the perfect duo: Léa Drucker and Anamaria Vartolomei
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
“Left-Handed Girl”, interview with director Shih-Ching Tsou Chiara Nicoletti
21 years after co-directing “Take out“ with Sean Baker, director and producer Shih-Ching Tsou is competing, at Cannes 78, at the Semaine de la critique with “Left-Handed Girl“.
The film, produced, co-written and edited by Sean Baker, is Shih-Ching Tsou’s first solo project. A family story inspired by a vivid memory, says Shih-Ching Tsou: “my grandfather once told me not to use my left hand because it was the devil’s hand”.
“Left-Handed Girl“, as the title suggests, is a female lead story set in Taiwan and it follows a single mother and her two daughters trying to make it in Taipei.
Shih-Ching Tsou starts from “the left hand’s belief” in order to dismantle it in favor of women taking their own path despite their fear of judgment or rejection.
A single mother and her two daughters return to Taipei after several years of living in the countryside to open a stand at a buzzing night market. Each in their own way, will have to adapt to this new environment to make ends meet and succeed in maintaining the family unity. Three generations of family secrets begin to unravel after the youngest daughter who’s left-handed is told by her traditional grandfather to never use her "devil hand”.
Written by: Chiara Nicoletti
Guest
Shih-Ching TsouFilm
Left-handed girlFestival
Festival de CannesLaura Wandel’s Adam’s sake, at the Semaine de la critique, relies on the perfect duo: Léa Drucker and Anamaria Vartolomei
The Balconettes at Cannes 77, second feature by actress Noémie Merlant and written with Céline Sciamma, is an act of women liberation
In "Julie Keeps Quiet", a young, female high-level tennis player whose club is shaken by the news of the suicide of an alumni who used to work with the same coach feels the pressure of being asked to speak up. …
A coming of age movie, with a melancholy hopeful tone, as per the director's words.
Director Neeraj Ghaywan discusses Homebound at Cannes 78—an emotional tale of friendship, dignity, and identity rooted in real-life inspiration.
The Phoenician Scheme by Wes Anderson, in Cannes’ competition sees the participation of newcomers Mia Threapleton and Riz Ahmed and welcomes back Richard Ayoade
The Phoenician Scheme by Wes Anderson, at Cannes 78, is a family story with a vintage old Hollywood’s era look
Interview with Kirill Serebrennikov and August Diehl on The Disappearance of Josef Mengele at Cannes 78 – a chilling look at evil, complicity, and justice.
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