Takeshi Kogahara – Nagisa #TFF40
A debut film, a nostalgic and melancholic look on how difficult it is to process grief and accept the loss of someone dear.
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PODCAST | Chiara Nicoletti interviews director Teona Strugar Mitevska.
Teona Strugar Mitevska wears three hats at the 37th Torino Film Festival: she’s in official competition jury chaired by director Cristina Comencini, her 5 films are screened as part of a retrospective artistic director Emanuela Martini curated in her honor and she’s presenting her latest feature God Exists, Her Name Is Petrunya, which premiered at the Berlinale 2019. On the occasion of the retrospective, Teona Strugar Mitevska looks back at her career and describes how she learned to own her place in the filmmaking world as a woman director.
Teona Strugar Mitevska (Skopje, North Macedonia, 1974) was born into an artistic family. She started as a child actor, trained as a painter and graphic designer and later studied at the Tisch School of Arts. She made her first short, Veta, in 2001; her first feature was How I Killed a Saint (2004), made under the auspices of the Sisters and Brother Mitevski, a company she established with her brother and her sister. Her next feature film, I Am from Titov Veles (2007), received a Special Jury Prize at the Sarajevo Film Festival. Her film The Woman Who Brushed Off Her Tears premiered at the 2012 Berlin Film Festival and in 2013 she directed the film Teresa and I, a documentary about Mother Teresa. Her feature film When the Day Had No Name (2017), premiered in the Panorama Special section of the 2017 Berlin IFF.
Written by: fredfilmradio
Chiara Nicoletti Retrospective. Teona Strugar Mitevska Torino Film Festival
Film
Festival
Torino Film FestivalA debut film, a nostalgic and melancholic look on how difficult it is to process grief and accept the loss of someone dear.
"A film about the journalists and all the women who stood up to tell their stories": Maria Schrader on She Said's essential drive and focus.
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"A film about the journalists and all the women who stood up to tell their stories": Maria Schrader on She Said's essential drive and focus.
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"My movie plays on the idea of the collective unconscious, in a moment in which we live our lives so connected even if we are distant"
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