Joes Brauers, interview with the European Shooting Star 2026 from the Netherlands
To represent the Netherlands at the EFP’s European Shooting Stars 2026: Joes Brauers
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"The lights, they fall", interview with director Saša Vajda Cristiana Palmieri
“The lights, they fall”, by director Saša Vajda delicately portrays the complexities of youth, mortality, and cultural diversity through a deeply personal lens. Screening at the Berlinale in the Generation 14 plus section, the film invites viewers to reflect on universal themes seen from multiple angles.
“The lights, they fall” explores the emotional journey of 16-year-old Ilay during a summer in Berlin, as he navigates the delicate situation of his mother receiving palliative care. The film by director Saša Vajda delve into themes of loss, friendship, and societal support. He emphasizes that the film’s core stems from personal experience, inspired by her own mother’s passing nearly a decade ago. This personal connection lends authenticity and depth to the narrative’s portrayal of end-of-life care and teenage emotional resilience.
The film also highlights the multifaceted realities faced by immigrant families and the social dynamics surrounding grief and support in Berlin’s diverse community. Saša Vajda’s approach is intuitive, choosing to cast a diverse group of non-professional actors to authentically represent the societal tapestry. The storytelling incorporates multiple perspectives, creating a layered, comprehensive picture of life’s fragility. “The lights, they fall” subtly addresses how different societal and socioeconomic factors influence the experience of loss and coping.
The film’s deliberate use of pacing, with long summer days and moments of silence, allows audiences to fully inhabit Ilay’s world. Saša Vajda describes this rhythmic choice as intentional, aiming to evoke contemplation and deepen emotional engagement. The relaxed pace mirrors the natural flow of youth and grief, emphasizing a sense of patience and presence throughout the story. This contemplative rhythm aligns with the film’s thematic focus on life’s slow moments and the importance of silent understanding.
Sixteen-year-old Ilay aimlessly drifts through the outskirts of Berlin. His mother, Maria, lies on her deathbed, cared for by Ana, a Mexican palliative nurse. Refusing to accept his mother’s impending death, Ilay retreats further into himself, increasingly shutting himself off from reality. Through slow, contemplative images, the film follows Ilay and Ana in their daily routines, from Ana’s quiet dedication to Maria’s care to her struggles with her own addiction. Ilay works in a logistics centre, does community service and spends his afternoons hanging out with his friends at a lake. At night, he is restless, wandering the city in a sleepless daze like a ghost. During one of his nocturnal outings, he impulsively steals a dog, prompting Ana to take him to a psychologist. There, Ilay reveals his deep-seated belief in the impossibility of death. As his mother’s passing approaches, it becomes less an inevitability and more a matter of mystery and speculation.
Written by: Cristiana Palmieri
Guest
Saša VajdaFilm
The Lights They FallFestival
BerlinaleTo represent the Netherlands at the EFP’s European Shooting Stars 2026: Joes Brauers
To represent Belgium at the EFP’s European Shooting Stars 2026: Violet Braeckman
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