Elena Di Giovanni ci parla del workshop sull’accessibilità tenuto dal Torino Film Industry
Intervista esclusiva a Elena Di Giovanni, co-direttrice del Master internazionale in Accessibility to Media, Arts and Culture all'Università di Macerata.
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
todayNovember 24, 2025
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"The Passions of Angela Simmons", interview with director Lucy Kerr Angelo Acerbi
Lucy Kerr and her film project “The Passions Of Angela Simmons” participated at the Torino Film Lab Event , in Torino, where she was included in the Feature Lab section. We met and talked about the film and her presence at the TFLab.
“The Passions of Angela Simmons” is more than just a story; it’s a reflection of personal struggles wrapped in the traditions of Southern American society. The film follows Angela, a young woman caught between her past as a ballet dancer and her present role as a debutante. The narrative explores her emotional journey from grief to obsession, highlighting her internal conflicts and societal pressures. The film’s nuanced storytelling invites viewers to question conformity and authority within a rigid cultural framework.
The film also draws from real-life experiences that resonate universally. The director’s background as a former dancer who faced injury and societal expectations informs the story’s authenticity. “The Passions of Angela Simmons” is a vivid portrayal of how personal trauma can inspire artistic expression and elevate social commentary. Its genre-blending approach—combining gothic elements, psychological thriller, and drama—creates a layered cinematic experience that appeals to diverse audiences.
At its core, “The Passions of Angela Simmons” examines the tension between individual identity and societal roles. The film grapples with themes of gender, class, and trauma, emphasizing how traditions serve as both a backdrop and a barrier to self-empowerment. Through Angela’s transformation, the film questions whether cultural rituals like debutante balls are relics of the past or pathways to self-acceptance.
The narrative’s gothic aesthetic and suspenseful elements deepen the exploration of repression and awakening. As Angela’s story unfolds, viewers witness her struggle to reconcile her passions with her societal duties, creating a compelling commentary on human resilience. The film’s rich symbolism and layered storytelling encourage reflection on how personal passions can be suppressed or rediscovered amidst societal expectations.
The film’s genre-bending style, from gothic to psychological thriller, sets it apart within contemporary cinema. Its aesthetic choices evoke a haunting atmosphere that underscores the protagonist’s internal turmoil. “The Passions of Angela Simmons” is designed to evoke emotional depth and suspense, making it accessible to a broad audience while also offering layered interpretations for cinephiles.
The creative team’s personal insights add further depth to the project. The writer-director’s own experiences with injury and societal expectations have influenced the character development and thematic focus. This blend of personal history and artistic experimentation elevates “The Passions of Angela Simmons” into a captivating film that challenges viewers’ perceptions of tradition and identity.
In exploring the story of “The Passions of Angela Simmons”, audiences are invited to reflect on the universal themes of growth, tradition, and self-acceptance. This film masterfully intertwines personal history with broader cultural issues, making it a significant work in contemporary cinema.
Texas, 2006. After a career-ending ballet injury, Angela, a college freshman, drifts through school and hollow sorority rituals. Her world shifts when she encounters Alex, a magnetic wrestler. Angela abandons her obligations and follows him to his hometown, where they connect over the rare transcendence experienced in pushing the body to its limit, in wrestling and ballet alike. After this fleeting, enigmatic encounter, Angela returns home for Christmas, when her debutante ball is set, a tradition she had always found vacant. Increasingly unmoored, Angela searches for a new kind of transcendence, like what she felt in ballet and with Alex. Things shift for Angela when she learns the debutante bow and gracefully performs it – ecstasy imbuing her movements. Her fervour infects the others, and what seems to begin as conformity becomes an awakening. As storms bear down, the rituals of high society culminate in a reckoning as Angela breaks open the social order she was meant to uphold.
Written by: Angelo Acerbi
Guest
Lucy KerrIntervista esclusiva a Elena Di Giovanni, co-direttrice del Master internazionale in Accessibility to Media, Arts and Culture all'Università di Macerata.
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