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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST| Matt Micucci interviews Ico Costa, director of the film Alva.
An interview with Ico Costa, director of Alva, which had its world premiere in the Bright Future strand of the 2019 International Film Festival Rotterdam. The protagonist of the film is a man who lives in the Portuguese countryside, commits a crime and goes back to the hills. Little is known about the whys and the hows, but as Costa tells us here, he wanted to get inside the man’s head. The film in fact focuses on him, and in this interview we also talk about his choice of filming in 16mm, using nonprofessional actors and what type of an experience he would like or expect his audience to have when watching Alva.
Alva: Henrique is a terse Portuguese smallholder who lives out in the hills, far from civilisation. We realise something is wrong in his life when occasional passers-by ask if there is any news about his daughters. The next day, he drives to a nearby village, follows someone and does something terrible. He then flees back to the hills. The almost entirely dialogue-free second half of the film focuses on Henrique as he hides out. We occasionally hear voices, or a helicopter swoops overhead. In the end, he returns to the village. Ico Costa explicitly uses an elliptic narrative structure, to allow viewers to form a man from the clay he puts in front of them. Who is Henrique? Can his deed be understood? Is he telling the truth when he says he didn’t want to hurt anyone? In the meantime, almost incidentally, the stunning beauty of the landscape passes by. Henrique washes himself in the waters of a river – a river called Alva.
Discover the Hallucination Collective Film Festival in this interview with programmer Éric Peretti: unveiling underground vampire flicks and Mexican exploitation gems in Lyon’s most daring cinematic showcase.
Maciej Sobieszczański on "Brother": from a real-life prison encounter to crafting a quiet, intimate drama about absence, family and fragile hope.
Agnieszka Holland reflects on a bold, kaleidoscopic take on Kafka with "Franz", exploring the man behind the myth and his unexpected modern-day legacy.
Discover the story of BFI Flare’s history through the eyes of Joss Morfitt, researcher and writer, revealing how queer cinema and London's LGBTQ+ culture have evolved over 40 years.
