“Heysel 85”, interview with director Teodora Ana Mihai
With Heysel 85, Teodora Ana Mihai turns a football tragedy into a mirror for today's world and the choices we make in times of crisis
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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Marusya Syroechkovskaya - How To Save A Dead Friend #Cannes2022 fredfilmradio
PODCAST | Angelo Acerbi interviews Marusya Syroechkovskaya, director of the film How To Save A Dead Friend.
Marusya Syroechkovskaya has filmed for 12 years her relationship with her lover then husband, until his success in terminating his life. The background of Russian in years 2000 and the non-existence of a potential future for the 20something generation is the canvas which this film lays on. She tells us about the project and its transformation form personal diary to universal public narration.
How To Save A Dead Friend: Marusya is 16 and, like many Russian teenagers, is determined to end her life. Then she meets her soulmate in another millennial, Kimi. They spend a decade filming the euphoria and anxiety, the happiness and misery of their youth, muzzled by a violent and autocratic regime in the midst of a “depressed Russia”. This film is a cry from the heart, a tribute to an entire silenced generation.
Written by: fredfilmradio
ACID Angelo Acerbi Cannes Film Festival How To Save A Dead Friend Marusya Syroechkovskaya
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Marusya SyroechkovskayaFestival
Festival de CannesNo related posts.
With Heysel 85, Teodora Ana Mihai turns a football tragedy into a mirror for today's world and the choices we make in times of crisis
With Narciso, Marcelo Martinessi returns to the Berlinale with a film noir about desire, repression and the dangers of authoritarianism
With A Russian Winter, Patrick Chiha maps the frozen limbo of Russian exiles, nowhere in time and space
With Salvation, in competition at the 76th Berlinale, Emin Alper shows, by analyzing a village community, how people become radicalized.
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