“Two Prosecutors”, interview with director Sergei Loznitsa
Two Prosecutors, based on Georgy Demidov’s novella, marks Loznitsa’s return to fiction and to Cannes competition
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
“Amrum”, interview with director Fatih Akin
Akin tells how this story was born and the main themes of a film that is a metaphor for our days
Fatih Akin comes back to Cannes Film Festival, presenting out of competition his last movie “Amrum”. Our interview revolves around the production and themes of a film inspired by a friend’s childhood experiences during World War II. The director, initially hesitant, took on the project due to personal and professional commitments.
The film aims to portray the everyday struggles and human aspects of the war, contrasting with the usual spectacular depictions. It explores the complexities of love and humanity, using natural elements to emphasize human connections. “We are humans, but in the end, we are animals”, he says.
Than the director emphasizes the relevance of the film to contemporary Germany, highlighting the resurgence of far-right extremism and the importance of remembering historical atrocities to prevent their recurrence.
Fatih Akin emphasizes the growing importance of film festivals in today’s media-saturated world, where it’s increasingly difficult for films to gain attention amidst the abundance of content, including series. They argue that festivals are crucial for providing films with the attention and curiosity they need from audiences.
Plot
Amrum Island, Spring 1945. In the final days of the war, 12-year-old Nanning braves the treacherous sea to hunt seals, goes fishing at night, and works the nearby farm to help his mother feed the family. Despite the hardship, life on the beautiful, windswept island almost feels like paradise. But when peace finally comes, it reveals a deeper threat: the enemy is far closer than he imagined.
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