“Amrum”, interview with director Fatih Akin
"We are humans, but in the end, we are animals"
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
“Fuori”, interview with actress and Shooting Star 2018 Matilda De Angelis Chiara Nicoletti
Italian director Mario Martone is back in Cannes’ competition with “Fuori“.
Last time he competed with “Nostalgia“. “Fuori” stars Valeria Golino in the role of writer and author of “The Art of joy“, Goliarda Sapienza along with Matilda De Angelis and Elodie in the role of two inmates the writer befriends during her brief incarceration.
Based on two books by Sapienza, “L’università di Rebibbia” and “Le certezze del dubbio“, the film follows Goliarda in the Rome summer of 1980, living her best life with a rediscovered freedom.
Matilda De Angelis plays Roberta, a woman Goliarda meets in jail. A charming and strong character that Sapienza might have really meet although it might also come from her imagination.
De Angelis became internationally known in 2020 because of her role in the limited series “The Undoing” acting alongside Nicole Kidman and Hugh Grant. After that she has become the star of two TV series: “The Law According to Lidia Poët“, on Netflix and “Citadel: Diana“ on Prime Video. In 2018, she was selected to represent her country, Italy, at the Berlinale Shooting stars.
In collaboration with the European Film promotion (EFP), founder of the Shooting stars programme, we interviewed Matilda De Angelis among the 16 former Shooting Stars in the Cannes line-up this year.
The EFP is a network of film institutions from 37 European countries, bringing European films and talent to the attention of the international industry and media and the Shooting stars project brings ten promising, versatile European acting newcomers to the Berlin International Film Festival each year.
Rome, 1980. After the magnum opus The Art of Joy she has been working on for a decade is rejected by the Italian publishing world, writer Goliarda Sapienza ends up in prison for stealing jewelry, but the encounter with some young inmates turns out to be a life-changing experience.
After their release and over the course of a sweltering summer, the women continue to meet, and Goliarda forms a deep bond with Roberta, a repeat offender and political activist.
A connection no one on the outside can truly understand, but through which Goliarda rediscovers the joy of living and the drive to write again.
Written by: Chiara Nicoletti
Guest
Matilda De AngelisFilm
FuoriFestival
Festival de Cannes"We are humans, but in the end, we are animals"
Armand is Halfdan Ullmann Tøndel’s debut feature with the chameleonic Renate Reisnve, at Cannes 77
In her first feature film, Walker sparks conversations on consent, resilience, and the nuanced world of teenage experiences.
Maya Hawke and Rupert Friend on their experience in the pastel colored world of Wes Anderson.
Director Neeraj Ghaywan discusses Homebound at Cannes 78—an emotional tale of friendship, dignity, and identity rooted in real-life inspiration.
The Phoenician Scheme by Wes Anderson, in Cannes’ competition sees the participation of newcomers Mia Threapleton and Riz Ahmed and welcomes back Richard Ayoade
The Phoenician Scheme by Wes Anderson, at Cannes 78, is a family story with a vintage old Hollywood’s era look
Interview with Kirill Serebrennikov and August Diehl on The Disappearance of Josef Mengele at Cannes 78 – a chilling look at evil, complicity, and justice.
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