Aliocha Schneider, Agathe Bonitzer – Music #Berlinale2023
Protagonists of Angela Schanelec's Music talk about the wise freedom the director gave them in this Oedipus myth transposition to the big screen.
Listeners:
Top listeners:
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
POLISH Channel 05
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
PORTUGUESE Channel 08
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
SLOVENIAN Channel 10
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
LATVIAN Channel 18
DANISH Channel 19
HUNGARIAN Channel 20
DUTCH Channel 21
GREEK Channel 22
CZECH Channel 23
LITHUANIAN Channel 24
SLOVAK Channel 25
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
PODCAST| Chiara Nicoletti interviews Hans Peter Molland, director of the film Out Stealing Horses.
Five years after In Order of Disappearance, Hans Peter Molland returns to Berlinale with his friend and protagonist Stellan Skarsgard by his side to present, in competition, Out Stealing Horses. Based on the 2007 novel by Norwegian author Per Petterson, the film follows the life of 67 years old Trond and his memories of a particular summer of his adolescence, in 1948. As Molland was defined by Skarsgard “the man of the wild nature” for his ability of shooting nature as it was another protagonist in the film, the director reveals that it’s because he grew up in a farm in Norway till he was 16 years old. Hans Peter Molland then goes on unveiling the secrets of the way he made the happenings in the film so real and tactile to get the audience completely involved in the story.
Out Stealing Horses: November 1999: 67-year-old Trond (Stellan Skarsgard), lives in self-imposed isolation and looks forward to welcoming in the new millennium alone. As winter arrives he meets one of his few neighbours, Lars (Bjorn Floberg), and realises he knew him back in the summer of 1948. 1948 – the year Trond turned 15. The summer Trond grew up.
Written by: fredfilmradio
Berlinale Chiara Nicoletti Hans Peter Molland Out Stealing Horses
Film
Out Stealing HorsesFestival
BerlinaleProtagonists of Angela Schanelec's Music talk about the wise freedom the director gave them in this Oedipus myth transposition to the big screen.
Lone Scherfig becomes showrunner for a realistic and touching series set in the Maternity ward.
Incredible Dupieux makes it possible to be surreal and down to earth at the same time with Incredible but true in Berlinale Special Gala.
Un esercizio di resistenza: The Berlinale 2022 ed il suo indissolubile rapporto con gli spettatori.
Arturo a los 30, in competition at the 41st Torino Film festival, is Martín Shanly’s second feature following up on his study on people who are not keeping up with society expectations.
White Plastic Sky is Tibor Bánóczki and Sarolta Szabó’s first feature animation film, screening at the 41st Torino Film Festival in competition.
The intensity of the narrative of "Kalak" and the haunting beauty of the surrounding are the perfect combination for a film that is deep and hard and moving.
The professor of Audiovisual Translation Pilar Orero, in Rome for Audecon, remarks that media accessibility is a human right that should be always granted.
© 2023 Emerald Clear Ltd - all rights reserved.