Global Critics Cannes Voice, hosted by internationally renowned film critic Rita Di Santo, is the daily podcast of the 79th Cannes Film Festival, produced by FRED Film Radio directly from Cannes.
Each episode takes listeners inside the Festival with exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the year’s most anticipated films.Rita Di Santo and her guests bring to life the unique atmosphere of Cannes, offering a rare insider’s view of the stories, talent, and cinematic moments that make the Cannes Film Festival one of the world’s most celebrated cultural events.
In this episode of Global Critics Cannes Voice
In this episode of Global Critics Cannes Voice Rita Di Santo hosts: Fernando Lima
Listen Global Critics Cannes Voice! Exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the most anticipated films of the 79th Cannes Film Festival.
Listen Global Critics Cannes Voice! Exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the most anticipated films of the 79th Cannes Film Festival.
Listen Global Critics Cannes Voice! Exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the most anticipated films of the 79th Cannes Film Festival.
Listen Global Critics Venice Voice! Exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the most anticipated films of the 82nd Venice International Film Festival.
Marjane Satrapi, author of Persepolis and director of Radioactive, has died at 56. People close to her: “died of sadness” after the death of her husband.
Discover the work of British filmmaker and video essayist Charlie Shackelton, winner of last year's Sundance NEXT innovator Award, in the context of his first retrospective in Spain at Documenta Madrid.
For actress Élodie Bouchez, acting with children with a genetic syndrome in Laetitia Masson's "Ulysse", including the director's own teenage son Alphonse Roberts, was like a dance