“Heysel 85”, interview with director Teodora Ana Mihai
With Heysel 85, Teodora Ana Mihai turns a football tragedy into a mirror for today's world and the choices we make in times of crisis
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
With “The Guilty“ in 2018, his debut feature, Gustav Möller had managed to create a fast-paced psychological thriller in one small place such as the Emergency East desk in a police station. At the 74th Berlinale, the danish director brings his new work, “Vogter“, all set into a prison.
“As a filmmaker I think a prison is a very strong canvas to tell a story: strong characters, clear archetypes, a lot of rules and power structures” he states. In that very claustrophobic place, Möller examines the power dynamics between Eva (Sidse Babett Knudsen), an idealistic prison officer and Mikkel (Sebastian Bull), a newly arrived inmate who seems to trigger the worse part of Eva’s personality and past.
Gustav Möller also says that in the Scandinavian legal system there’s a very interesting conflict between wanting to help people and wanting punish people. As these are two conflicting objectives, his film tries to explore how and if they can co-exist.
Eva, an idealistic prison officer, is faced with the dilemma of her life when a young man from her past gets transferred to the prison where she works. Without revealing her secret, Eva asks to be moved to the young man’s ward – the toughest and most violent in the prison. Here begins an unsettling psychological thriller, where Eva’s sense of justice puts both her morality and future at stake.
Written by: Chiara Nicoletti
Festival
BerlinaleNo related posts.
With Heysel 85, Teodora Ana Mihai turns a football tragedy into a mirror for today's world and the choices we make in times of crisis
With Narciso, Marcelo Martinessi returns to the Berlinale with a film noir about desire, repression and the dangers of authoritarianism
With A Russian Winter, Patrick Chiha maps the frozen limbo of Russian exiles, nowhere in time and space
With Salvation, in competition at the 76th Berlinale, Emin Alper shows, by analyzing a village community, how people become radicalized.
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