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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST | Matt Micucci interviews Maria Eriksson, director of the film Schoolyard Blues.
Fred Film Radio is media partner of the European Film Promotion (EFP) Future Frames, which presents ten outstanding young directors with their latest work at the Karlovy Vary International Film Festival. Director Maria Eriksson, from Sweden, was among the ones selected for this year’s edition and presented her short film Schoolyard Blues at the 52nd Karlovy Vary International Film Festival. In this interview, Eriksson reveals to us that the movie originated from her conversations about life with screenwriter Pelle Radstrom at around the same time that they fell in love. She also talks about the challenges of making a movie about children and how she facilitated her young cast’s performances. Furthermore, Eriksson talks about her experience at Future Frames and more.
Schoolyard Blues: the first day of school is generally a happy occasion full of expectation, but little John experiences it somewhat differently. His 11-year-old brother Mika unexpectedly turns up to help him with the challenges he’ll have to face in the coming years. They have a different kind of family, and Mika does everything he can to prevent it from affecting his little brother.
For the official website of the festival, click here.
Stephan Komandarev, the esteemed Bulgarian director, shares the personal motivations behind his latest film 'Blaga’s Lessons' and offers captivating insights into the intimate portrayal of societal struggles and resilience.
Honey Don't by Ethan Coen, the second chapter in a lesbian pulp trilogy that began with Drive Away Dolls, subverts the femme fatale trope.
Farewell to Robert Redford, 89. The Hollywood icon, Oscar-winning director, and founder of Sundance Film Festival died at his home in Utah, leaving behind an extraordinary legacy of film and activism.
"Our cinematic tribute to the powerful of music"
"A Dan in Vain" by Lee Hong-Chi is a powerful glimpse into Shanghai lost hopes, capturing young artists' internal struggles and societal pressures with minimal emotion.
