Listeners:
Top listeners:
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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LATVIAN Channel 18
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DANISH Channel 19
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HUNGARIAN Channel 20
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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“FILMSTUNDE_23 [Subject: Filmmaking]”, interview with directors Edgar Reitz and Jörg Adolph Chiara Nicoletti
In 1968, the classroom of a girls’ grammar school in Munich is transformed into a film studio under the direction of young director Edgar Reitz. The “film lesson” begins: the first documented attempt in film history to teach film aesthetics as an independent subject. 2023: Edgar Reitz, the world-famous director of the “Heimat trilogy“, is approached by an elderly lady. She recognises herself as one of his former students. They arrange a class reunion.
“FILMSTUNDE_23 [Subject: Filmmaking]“, premiering at the 74th Berlinale, directed by Edgar Reitz and Jörg Adolph, is a montage documentary of the 1968 film class experience made by Reitz and his class reunion with his students in 2023.
As the directors declare in their press notes: “SUBJECT: FILMMAKING is a declaration of love for filmmaking and an appeal to finally bring film education into schools. A film about lifetime and the still unredeemed possibilities of the art of film”.
“FILMSTUNDE_23 [Subject: Filmmaking]” is an ode to film literacy reminding us that film should be taught in school since childhood.
In 1968, the young Edgar Reitz teaches filmmaking at a girls' school - a pioneering experiment in educational policy. 55 years later, an unlikely class reunion takes place.
Con la terza stagione, "La legge di Lidia Poët" porta Lidia alla sua battaglia più difficile e i suoi personaggi maschili davanti alle scelte più importanti.
Festa do cinema italiano Lisboa
Manuela Buono, produttrice di "White Lies", ci accompagna alla scoperta di un film intimo e complesso che affronta silenzi, bugie e traumi intergenerazionali.
Festa do cinema italiano Lisboa
"Arsa" dei registi Masbedo, esplora natura, memoria e identità attraverso un linguaggio visivo innovativo e anticonformista, sfidando i confini del cinema tradizionale.
Festa do cinema italiano Lisboa
"Hey Joe" di Claudio Giovannesi e' un affresco storico che, unendo vicende personali accadute durante la seconda guerra mondiale con la Napoli degli anni '70, racconta di vulnerabilità, identità e del rapporto tra passato e presente.
