“The brutalist”, interview with the director Brady Corbet
Interview with Brady Corbet, director of "The brutalist". He talks about the very long process of making this 3h20m film
Listeners:
Top listeners:
00:00
00:00
volume_up
chevron_left
-
play_arrow
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
-
play_arrow
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
-
play_arrow
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
-
play_arrow
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
-
play_arrow
POLISH Channel 05
-
play_arrow
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
-
play_arrow
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
-
play_arrow
PORTUGUESE Channel 08
-
play_arrow
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
-
play_arrow
SLOVENIAN Channel 10
-
play_arrow
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
-
play_arrow
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
-
play_arrow
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
-
play_arrow
LATVIAN Channel 18
-
play_arrow
DANISH Channel 19
-
play_arrow
HUNGARIAN Channel 20
-
play_arrow
DUTCH Channel 21
-
play_arrow
GREEK Channel 22
-
play_arrow
CZECH Channel 23
-
play_arrow
LITHUANIAN Channel 24
-
play_arrow
SLOVAK Channel 25
-
play_arrow
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
-
play_arrow
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
-
play_arrow
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
-
play_arrow
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
-
play_arrow
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
“Why War”, interview with the director Amos Gitai
Amos Gitai, director "Why War". Albert Einstein and Sigmund Freud discussed about war. These letters are the excuse and the inspiration for a thorough reflection on the meaning of war in these unsettling times
Taking its cue from an exchange of correspondence on the meaning of war between Albert Einstein and Sigmund Freud, Amos Gitai‘s “Why War” constructs out of stock footage and fiction a treatise on the futility of war as a means of resolving differences and the inhumanity of all conflict. The film has been presented Out of Competition at the 81st Venice International Film Festival.
Cinema asks questions, it does not give answers
Amos Gitai also uses this philosophy of filmmaking in “Why War“, which he found it necessary to build and make after the events of October last year that once again created an explosive and unstable situation in the Middle East, where visionless and unscrupulous politicians seek absolute victory, which does not exist for anyone, in a war.
Art and film in particular are the only option for building relationships between different worlds
Amos Gitai is convinced that cinema should not be propaganda, but sharing ideas and personal reflections to open minds and stimulate critical thinking. There is no alternative to the use of cinema: filmmakers do not make products, but offer reflections.
Plot
In 1932, Albert Einstein was invited by the League of Nations to address a letter on any subject to any person. He chose to correspond with Sigmund Freud about avoiding war. To this day, the correspondence about war between two great thinkers of all time proves to be more relevant than ever. Inspired by this correspondence between Albert Einstein and Sigmund Freud almost a century ago, the film Why War traces the roots of war, and embarks on a search for an explanation of the savagery of wars that inhabit our world.
Related Posts
“Families like ours”, interview with Paprika Steen and Nikolaj Lie Kaas
Interview with Paprika Steen and Nikolas Lie Kaas, actors in "Families like ours". They talk about their work with Thomas Vinterberg in this series
“Beetlejuice Beetlejuice”, interview with actors Winona Ryder, Catherine O’Hara and Justin Theroux
Beetlejuice Beetlejuice, opening film of Venezia 81, reunites the Deetz family: Winona Ryder and Catherine O’Hara
“Riefenstahl”, interview with director Andres Veiel
Andres Veiel, director of “Riefenstahl”, discusses the controversial figure of the director who linked her name to the Nazi regime.
Channel posts
TFF25: interview with Jacopo Chessa, Veneto Film Commission, Alessandra Miletto, Valle d’Aosta Film Commission and Paolo Manera, Film Commission Torino Piemonte
Talking with the directors of Italian film commissions like Veneto, Valle d'Aosta, and Torino Piemonte we shed some light on their work and how they are boosting regional film industries through international collaborations, funding, and storytelling.
“Untitled Home Invasion Romance”, interview with director Jason Biggs
"Untitled Home Invasion Romance" marks actor Jason Biggs' first time as a director
“The Birthday party”, interview with director Miguel Ángel Jiménez
The Birthday Party, from Locarno to Torino Film Festival, a film about power, legacy and tyrannic love starring Willem Dafoe
“The Teacher”, interview with director Farah Nabulsi
The Teacher by Farah Nabulsi with Saleh Bakri, finally landing in Italy, from Torino Film Festival to cinemas.
Top popular
INCinema 2025 a Udine: ritorna il festival che rende il cinema accessibile a tutti
“Breve Storia d’Amore”, intervista alla regista Ludovica Rampoldi
Intervista ad Alberto La Monica, direttore del Festival del Cinema Europeo di Lecce
Updates on Lars von Trier’s Projects from the Festival del Cinema Europeo
Michelle Yeoh to Receive the 2026 Honorary Golden Bear at the Berlinale