“Renoir”, interview with director Chie Hayakawa
Renoir, in the Cannes 78’s competition, is Hayakawa’s more intimate and personal project after Plan 75
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Wes Anderson is back in Cannes Competition for the fourth time with“The Phoenician Scheme“.
His first time was in 2012 with “Moonrise Kingdom“, then there was “The French Dispatch” and finally, two years ago, Asteroid city.
“The Phoenician Scheme“, as every Anderson’s film, can count on a numerous cast led by Benicio Del Toro in the role of “Zsa-Zsa” Korda, one of the richest men in Europe and including newcomers Mia Threapleton as Korda’s nun daughter Liesl and Michael Cera as the Norwegian entomologist Bjorn.
Returning on a Wes Anderson’s film set are, among others, Scarlett Johansson, Tom Hanks, Mathieu Amalric, Jeffrey Wright, Bryan Cranston, Benedict Cumberbatch, Richard Ayoade, Bill Murray and Rupert Friend.
As he did in the past, with The Royal Tenenbaums, The Life Aquatic with Steve Zissou and The Darjeeling Limited, Wes Anderson goes back to exploring family ties, now from a father’s point of view as he tells a story of a father and a daughter who actually learn to build a relationship, how to consider each other “family”.
In this family, as confirmed by Benicio Del Toro and Michael Cera, enters Bjorn and they form an unusual trio.
About the role of protagonist Zsa-Zsa” Korda, Anderson wrote: “Del Toro was the only actor I ever imagined the part, at least in the modern era. The kind of character who might have been played by Anthony Quinn, or maybe Lino Ventura, or Jean Gabin.”
Benicio Del Toro and Michael Cera comment the vintage look of this film that might have been made in Hollywood’s old era.
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“The Phoenician Scheme”, interview with actors Benicio Del Toro and Michael Cera Chiara Nicoletti
1950. Anatole “Zsa-zsa” Korda (Benicio del Toro), enigmatic industrialist, one of the richest men in Europe, survives another attempt on his life (his sixth plane crash). Korda's wide-ranging, wildly complex, and ruthless business practices have made him an enemy to not just rival enterprises but also governments of every ideology across the globe -- and a target for assassins. Now he is in the final stages of a decades-long, career-defining project (Korda Land and Sea Phoenician Infrastructure Scheme), the expansive exploitation of a potentially-rich/long-dormant region. The risk to his personal capital has become incalculable. The threats to his life are ongoing. He chooses this moment to appoint and prepare a successor: his twenty-year-old estranged daughter Liesl (currently, a nun). With personal tutor Bjorn (Michael Cera) in tow, Zsa-zsa and Liesl sweep across Modern Greater Independent Phoenicia meeting their assorted partners on a mission to close The Gap (a rapidly expanding financial shortfall) which Zsa-zsa quantifies as: "Everything we got -- plus a little bit more."Along the way: Liesl investigates the unsolved murder, a decade earlier, of Zsa-zsa's first wife (her mother). In Zsa-zsa Korda, Wes Anderson, Roman Coppola, and (especially) Benicio del Toro create an instantly iconic antihero. Inscrutable, compelling, worldly, and completely singular in Wes Anderson’s world. Del Toro's dominating, magnetic presence, on screen in nearly every scene, delivers a character for the ages. Exhilarating and hilarious, a work of pure pleasure, but also strikingly moving as a father and daughter find each other. Starring Benicio del Toro, Mia Threapleton, and Michael Cera. The amazing ensemble cast also features Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Jeffrey Wright, and Scarlett Johansson; plus Richard Ayoade as a helpful freedom fighter, Benedict Cumberbatch as Zsa- zsa's mysterious half-brother Nubar, Rupert Friend as the shadowy agent "Excalibur", and Hope Davis as Liesl's Mother Superior.
Written by: Chiara Nicoletti
Asteroid City Moonrise Kingdom The French Dispatch The Life Aquatic The Royal Tenenbaums Wes Anderson
Film
The PhoenicianSchemeFestival
Festival de CannesRenoir, in the Cannes 78’s competition, is Hayakawa’s more intimate and personal project after Plan 75
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