“A Brief Encounter”, interview with director Liryc Dela Cruz
Liryc Dela Cruz, director of A Brief Encounter, at the International Critics Week, Venice Film Festival 2026.
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Giornate degli Autori - Venezia
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“Alpha,” interview with Director Jan-Willem van Ewijk and actors Reinout Scholten van Aschat, Gijs Scholten van Aschat Laura Della Corte
In a compelling conversation, Jan-Willem van Ewijk, the director of “Alpha“, in the Giornate degli Autori section, shares insights into the intricate emotional narrative of his film, which juxtaposes family bonds with the adrenaline-fueled world of extreme sports. Set against the stunning, snow-covered landscapes of the Swiss and Slovenian Alps, “Alpha” tells the story of a father-son relationship strained by grief, personal loss, and the trials of their high-stakes environment.
At the center of the story is Rein, portrayed by Reinout Scholten van Aschat, a young snowboard instructor struggling to cope with the loss of a loved one. He is visited by his charismatic yet occasionally overbearing father, Gijs, played by Gijs Scholten van Aschat. Their journey culminates in a dramatic confrontation that tests their relationship and leads to a primal fight for survival. “The dynamics between these two characters are crucial,” Van Ewijk explains. “Friendship and family are intertwined, and I wanted to capture the complexities of their relationship as they navigate their emotions.”
Van Ewijk reflects on the concept of friendship, noting its central role in the film’s development. “Friendship can be an ambiguous relationship, and it’s essential to explore those tensions,” he states. Drawing on his own experiences, he emphasizes how friendships can sometimes be as significant as family bonds.
The film’s narrative is propelled by a prank that Rein and his friends play on their principal, resulting in the installation of a surveillance system in their school. Consequently, they grapple with the consequences of their actions against the backdrop of a darkening political climate. “I wanted to examine how young people respond to societal pressures and how those responses shape their friendships,” Van Ewijk explains. This theme resonates strongly in a world where external factors challenge personal relationships and identities.
A noticeable aspect of Alpha is its striking visual style, with Van Ewijk partnering closely with cinematographer Douwe Hennink to achieve a raw and immersive aesthetic. “We wanted to showcase the beauty of the landscapes while reflecting the emotional states of the characters,” he shares. The use of light and shadow throughout the film creates a palpable sense of tension and instability, particularly in scenes that visually mirror the characters’ emotional upheaval.
Van Ewijk pays homage to the inspirations behind “Alpha“, noting how films like Rebel Without a Cause and the Taiwanese New Wave influenced his storytelling approach. “Those films showcase the rebellious spirit of youth in times of societal upheaval,” he remarks. “I strive to channel that energy while infusing humor and realness into the narrative.”
The director also discusses the emotional weight of the film, explaining how it portrays the bittersweet nature of youth. “The characters are facing existential challenges. They are like tectonic plates—shifting and moving beneath the surface,” he states, drawing a parallel between their friendships and the looming threat of a catastrophic earthquake. As external pressures mount, the film captures the essence of uncertainty and growth.
As “Alpha” prepares for its premiere, Van Ewijk expresses appreciation for the collaborative nature of the filmmaking process. “Working with a dedicated cast and crew made all the difference. The experiences we shared, especially on location, enriched the storytelling,” he explains. The authenticity brought by the non-professional actors, alongside the stellar performances of Reinout Scholten van Aschat and Gijs Scholten van Aschat, enhances the film’s emotional impact, allowing audiences to connect with the characters on a deeper level.
In summary, “Alpha” emerges as a poignant reflection on friendship, the pressures of youth, and the complexities of growing up in a world marked by uncertainty. Through Jan-Willem van Ewijk’s sensitive direction and compelling storytelling, the film invites viewers to contemplate their relationships and the societal challenges that shape their lives.
After his mother passes away, Rein moves to a small village in the Alps to be immersed in nature, meditate and work as a snowboard teacher. His quiet bubble bursts when his extroverted father Gijs comes to visit. Gijs quickly takes center stage on a back country ski tour with Rein and his friends. He charms the youngsters and flirts with Rein’s new girlfriend Laura, leaving no room for his son. It isn’t long before Rein has had enough. He drags his father away from the group and they continue their hike up the mountain alone. The tension between the two men is palpable. Gijs feels increasingly uncomfortable with the steep and dangerous terrain but Rein presses on to the top, ignoring his father’s pleas to walk back down. It isn’t long before nature violently lashes out, turning their petty struggle for dominance into a full-blown quest for survival.
Written by: Laura Della Corte
Film
AlphaFestival
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