Listeners:
Top listeners:
play_arrow
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
play_arrow
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
play_arrow
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
play_arrow
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
play_arrow
POLISH Channel 05
play_arrow
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
play_arrow
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
play_arrow
PORTUGUESE Channel 08
play_arrow
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
play_arrow
SLOVENIAN Channel 10
play_arrow
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
play_arrow
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
play_arrow
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
play_arrow
LATVIAN Channel 18
play_arrow
DANISH Channel 19
play_arrow
HUNGARIAN Channel 20
play_arrow
DUTCH Channel 21
play_arrow
GREEK Channel 22
play_arrow
CZECH Channel 23
play_arrow
LITHUANIAN Channel 24
play_arrow
SLOVAK Channel 25
play_arrow
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
play_arrow
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
play_arrow
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
play_arrow
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
play_arrow
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Cannes Film Festival International
With I See Buildings Fall Like Lightning, Anthony Boyle and Lola Petticrew reflect on what it means to be thirty, working-class and stuck in a world that no longer keeps its promises
Cannes Film Festival International
Jorge Thielen Armand discusses "Death Has No Master", Venezuela, class violence, sound, memory and the house at the centre of the film.
Cannes Film Festival International
Asia Argento discusses "Death Has No Master", isolation in Venezuela, horror, ownership and her return to Cannes.
Cannes Film Festival International
With Titanic Ocean, Konstantina Kotzamani plunges into a Japanese boarding school for professional mermaids and finds a story about adolescence, fantasy and the struggle to speak for yourself
Cannes Film Festival International
With Rehearsals for a Revolution, Pegah Ahangarani weaves forty years of Iranian history into a deeply personal documentary and turns memory itself into an act of resistance
Cannes Film Festival International
With Che Guevara: The Last Companions, Christophe Dimitri Reveille pieces together the untold escape of Che's last fighters and finds that loyalty, betrayal and truth are never black and white
Cannes Film Festival International
In "Madame", French director Hélène Rosselet-Ruiz digs into the themes of femininity and exploitation by sharing house with the secret mistress of a Saudi Sheikh
Cannes Film Festival International
Valentina Maurel, the Costa Rican-French director of "Forever Your Maternal Animal", likes a non-linear structure: 'I think characters are enough, sometimes, to make a film.'
Cannes Film Festival International
Director Sarah Arnold on her debut feature, "Too Many Beasts": 'I made this film so that we don't forget that we have to disobey.'
