Cannes Film Festival International
“Ulya”, interview with the director Viesturs Kairiss
Director Viesturs Kairiss discusses Ulya at Cannes 2026, exploring identity, Soviet Latvia and the human story behind Ulyana Semyonova.
Cannes Film Festival International
Director Viesturs Kairiss discusses Ulya at Cannes 2026, exploring identity, Soviet Latvia and the human story behind Ulyana Semyonova.
Cannes Film Festival International
With I See Buildings Fall Like Lightning, Anthony Boyle and Lola Petticrew reflect on what it means to be thirty, working-class and stuck in a world that no longer keeps its promises
Cannes Film Festival International
Jorge Thielen Armand discusses "Death Has No Master", Venezuela, class violence, sound, memory and the house at the centre of the film.
Cannes Film Festival International
Asia Argento discusses "Death Has No Master", isolation in Venezuela, horror, ownership and her return to Cannes.
Cannes Film Festival International
With Titanic Ocean, Konstantina Kotzamani plunges into a Japanese boarding school for professional mermaids and finds a story about adolescence, fantasy and the struggle to speak for yourself
Cannes Film Festival International
With Rehearsals for a Revolution, Pegah Ahangarani weaves forty years of Iranian history into a deeply personal documentary and turns memory itself into an act of resistance
Cannes Film Festival International
With Che Guevara: The Last Companions, Christophe Dimitri Reveille pieces together the untold escape of Che's last fighters and finds that loyalty, betrayal and truth are never black and white
Cannes Film Festival International
In "Madame", French director Hélène Rosselet-Ruiz digs into the themes of femininity and exploitation by sharing house with the secret mistress of a Saudi Sheikh
Cannes Film Festival International
Valentina Maurel, the Costa Rican-French director of "Forever Your Maternal Animal", likes a non-linear structure: 'I think characters are enough, sometimes, to make a film.'