Listeners:
Top listeners:
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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LATVIAN Channel 18
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DANISH Channel 19
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HUNGARIAN Channel 20
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Cannes Film Festival International
Bruno Dumont imagine dans "Les Roches rouges" "le monde de demain" : "on ne veut pas de règles, d'injonctions, de surprotection, d’empêchement permanent : on veut de la liberté".
Cannes Film Festival International
Swann Arlaud, acteur principal de "Notre salut" d'Emmanuel Marre : "L'histoire n'agit pas d’un coup comme ça : elle arrive insidieusement, palier par palier, mais à quel moment on s’arrête ?".
Cinema as a merged space where physical and virtual environments no longer compete, through the voices of Anna Doublet, Al Kang, Jamie Morgan Lapsley and Josh Vigna
Cannes Film Festival International
Director Viesturs Kairiss discusses Ulya at Cannes 2026, exploring identity, Soviet Latvia and the human story behind Ulyana Semyonova.
Cannes Film Festival FRED Interview
Con Sorda, Eva Libertad convierte la maternidad de una mujer sorda en una historia que habla a todas y descubre que el cine puede cambiar las cosas mucho más allá de la pantalla
Cannes Film Festival Interview
Con Amarga Navidad, Leonardo Sbaraglia se pone en la piel del alter ego de Pedro Almodóvar y descubre que el dolor y la gloria conviven siempre, caiga quien caiga
Cannes Film Festival Interview
With I See Buildings Fall Like Lightning, Joe Cole and Jay Lycurgo play two friends at a crossroads and discover that the best way to build a character is to leave your inhibitions at the door
Cannes Film Festival International
With I See Buildings Fall Like Lightning, Anthony Boyle and Lola Petticrew reflect on what it means to be thirty, working-class and stuck in a world that no longer keeps its promises
Cannes Film Festival International
Jorge Thielen Armand discusses "Death Has No Master", Venezuela, class violence, sound, memory and the house at the centre of the film.
