“Primetime”, interview with actors Skyler Gisondo, Merritt Wever and Bokeem Woodbine
At the 83th Venice Film Festival 2026, Skyler Gisondo, Merritt Wever and Bokeem Woodbine on stepping into the circus of Primetime
Listeners:
Top listeners:
play_arrow
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
play_arrow
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
play_arrow
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
play_arrow
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
play_arrow
POLISH Channel 05
play_arrow
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
play_arrow
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
play_arrow
PORTUGUESE Channel 08
play_arrow
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
play_arrow
SLOVENIAN Channel 10
play_arrow
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
play_arrow
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
play_arrow
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
play_arrow
LATVIAN Channel 18
play_arrow
DANISH Channel 19
play_arrow
HUNGARIAN Channel 20
play_arrow
DUTCH Channel 21
play_arrow
GREEK Channel 22
play_arrow
CZECH Channel 23
play_arrow
LITHUANIAN Channel 24
play_arrow
SLOVAK Channel 25
play_arrow
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
play_arrow
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
play_arrow
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
play_arrow
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
play_arrow
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
play_arrow
Interview with the director Dag Johan Haugerud, FRED Award 2025 Federico Spoletti
The FRED Award, a heartfelt honor bestowed annually, recognizes exceptional talent in thoughtful and courageous filmmaking and acting. This year, the 2025 FRED Award was presented during the Venice Film Festival to director Dag Johan Haugerud, attending the festival as a jury member for the Giornate degli Autori section.
He is the third director in 15 years to receive this recognition, a testament to his film’s profound emotional resonance and intellectual depth. “After watching your film, viewers often leave with a different mindset—they feel elevated, better” noted the award’s motivation, praising the director’s capacity to evoke empathy and reflection through their nuanced characters and dialogues.
“Sex” stands out for its delicate handling of complex themes such as gender, sexuality, and social roles. The directors emphasize their intent to confront internal contradictions and societal expectations without resorting to spectacle. “We aim to invite empathy and understanding, showing characters as flawed and authentic” Dag Johan Haugerud explained. Their approach aligns with the principles of cinematic authenticity, valuing silence, ambiguity, and emotional realism—traits that resonate strongly with the Fred Award’s ideals.
Dag Johan Haugerud openly acknowledge their inspirations, citing filmmakers like Woody Allen, Bertolucci, and documentary master Fred Wiseman. “We admire Wiseman’s observational method—they achieve a perspective that’s both curious and respectful” said the director. The influence of Wiseman’s documentary style is evident in their meticulous portrayal of everyday life, capturing the subtle nuances of human behavior. Their admiration extends to a desire to craft films that serve as a mirror to society, encouraging reflection rather than spectacle.
A key element in Dag Johan Haugerud‘s filmmaking is their ability to observe life closely. “Much of what I do is simply observing people around me” Dag Johan Haugerud shared. This pursuit of authenticity fuels their storytelling, allowing them to create characters and dialogues that feel genuine. Their background as novelists further enriches their narrative craft, blending literary depth with visual storytelling. They see both writing and filmmaking as two sides of the same artistic coin—intimate, creative, and rooted in language and observation.
Creating a film is a collective effort, and Dag Johan Haugerud emphasizes the importance of a supportive set environment. “Making sure everyone feels happy and free to express themselves is vital” he said. His approach involves fostering a collaborative atmosphere where actors and crew can bring their best to the project. The directors’ dedication to maintaining a positive environment translates into performances and images that are emotionally truthful and resonant.
Dag Johan Haugerud’s trilogy, comprised of “Sex”, “Love” and “Dreams” was shot over a relatively short period and showcased in major festivals, including Berlin and Venice. While the order of release varies across countries, the thematic continuity is deliberate. “We believe the trilogy should conclude with ‘Love,’ ending on a high, optimistic note” Dag Johan Haugerud explained. Watching the films sequentially reveals a journey of human connection, emotional complexity, and hope—core elements that define their cinematic voice.
Oslo, Dag Johan Haugerud’s hometown, features prominently in his films, embodying the city’s openness and cultural richness. “I grew up near Oslo, and the city hall, with its artwork and welcoming spirit, symbolises community for me” he shared. Its recurring presence in his work underscores a deep connection to place and identity, providing a backdrop that balances personal memory with universal themes.
Despite his recent successes, Dag Johan Haugerud remains committed to ongoing projects—writing a new book, working on stage plays, and developing future films. “Winning awards like the Golden Bear is incredible, but it’s just part of the journey” he reflected. His dedication to exploring new creative avenues continually fuels his artistic evolution, promising more thought-provoking work to come.
Written by: Federico Spoletti
Guest
Dag Johan HaugerudFilm
Festival
Mostra del Cinema di VeneziaNo related posts.
At the 83th Venice Film Festival 2026, Skyler Gisondo, Merritt Wever and Bokeem Woodbine on stepping into the circus of Primetime
In competition at the 83° Venice Film Festival, Luca Marinelli and Alicia Vikander on The Echo Chamber, inheriting Bernardo Bertolucci's screenplay and the traces we leave in each other's life
Listen Global Critics Venice Voice! Exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the most anticipated films of the Venice International Film Festival 2026.
Across The Bridge: your daily podcast on Venice Production Bridge 2026 — key events, discussions and insider access to the film market.
© 2023 Emerald Clear Ltd - all rights reserved.