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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
After "Bowling Saturn", French director Patricia Mazuy comes back with "Visiting Hours", which scrutinises playfully, yet with great social acumen, the unlikely alliance of two prisoners' wives with very different backgrounds
Plastic Guns by Jean-Christophe Meurisse, at the Cannes’ Directors Fortnight 2024 is the new surrealistic film by the Bloody Oranges director
Arnaud et Jean-Marie Larrieu sur l'élément "réaliste et romanesque" du "Roman de Jim" : "Si on résume 27 ans de vie en 1h40, vous allez voir qu'on vit des émotions énormes, et c'est le cas pour tout le monde, chacun …
Spectateurs! special screening in Cannes 77, is Arnaud Desplechin’s love letter to cinema and its audience
En Fanfare di Emmanuel Courcol, a Cannes 77, riflette sul potere della musica, sulla fratellanza e sul determinismo sociale
Con Las Novias del sur, la spagnola Elena López Riera torna a raccontare le donne
Ghost Trail, in Cannes 77, sees winner of the UCR best actor award 2022 Adam Bessa coming back as protagonist
The Balconettes at Cannes 77, second feature by actress Noémie Merlant and written with Céline Sciamma, is an act of women liberation
My sunshine is a delicate coming-of-age inspired by director Okuyama’s own childhood and experience in figure skating
Gazer, at the Cannes Directors Fortnight, is a dream come true for director J.Sloan and protagonist Mastroianni: they conceived it, wrote it and produced it.
Marcelo Caetano, réalisateur de "Baby", en lice à la 63e Semaine de la Critique de Cannes : "Je pense que les histoires d’amour de cinéma sont des histoires d’amour impossibles".
Magnus von Horn Explores the Depths of Morality in "The Girl with the Needle" in Competition at the 77th Festival de Cannes
Everybody loves Touda in Cannes Premiere, is Ayouch’s homage to Sheikhats, the strong independent singers of Moroccan tradition
Con "Miséricorde", Alain Guiraudie esplora temi come il desiderio e la misericordia attraverso una narrazione ricca di tensione e mistero.
Blending punk comedy, eclectic music, and stop-motion fantasy, "Sister Midnight" is a bold and darkly humorous journey of self-discovery.
The formidable Isabelle Huppert talks about "Visiting Hours", her second film with French director Patricia Mazuy, where her character, a prisoner's wife, forms an unlikely pair with a woman in a similar situation except not at all, played by Hafsia …
Eephus, screening in the Directors’ Fortnight 2024, is a melancholic hangout film reflecting on time passing
Sbatti il mostro in prima pagina, girato nel 1972 da Marco Bellocchio, arriva a Cannes 77 in versione restaurata
Motel Destino marks Karim Aïnouz’s return to shoot in his Brazil and it’s an ode to passion and desire
"Diamant brut", qui brosse avec précision et bienveillance le portrait d'une jeune influenceuse, est aussi le seul premier long-métrage de la compétition cannoise cette année.
Armand is Halfdan Ullmann Tøndel’s debut feature with the chameleonic Renate Reisnve, at Cannes 77
The Village next to paradise is Somali/Austrian director Mo Harawe’s debut feature, premiering in Cannes 77
September Says is actress’ Ariane Labed’s directorial debut feature, screening in Cannes 77
Gints Zilbalodis discusses his film "Flow" at Cannes77: its visual storytelling, themes of fear and trust, and his evolution from "Away."
Dans "Animale", Oulaya Amamra est la seule fille de la manade, au contact avec les bêtes, sous un soleil brûlant et dans les nuits inquiétantes d'une Camargue authentique et sauvage. Film de clôture de la 63e Semaine de la Critique.
Il premio Robert Bresson va Eugene Greenc un cineasta che guarda al trascendente come presenza fondamentale nella vita degli uomini.
Al Festival di Cannes il regista Eugene Green riceve il Premio Speciale Robert Bresson in considerazione delle sue opere di profondo valore umano.
L’Arte della gioia di Valeria Golino, trasposizione seriale dello scandaloso romanzo postumo di Goliarda Sapienza, è a Cannes77
L’arte della gioia è la serie liberamente adattata dall’omonimo romanzo postumo di Goliarda Sapienza, anteprima mondiale a Cannes 77
Dans "La Pampa", sous un soleil radieux règne une étroitesse d'attitude crasse qui se perpétue de génération en génération : "Cette violence-là, elle perdure depuis des décennies, des siècles... Mais j'essaie toujours d'avoir un peu d'espoir, et je sens les …
