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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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“My father’s shadow”, interview with director Akinola Davis Jr. Chiara Nicoletti
After directing the successful short film “Lizard“, Nigerian director Akinola Davis Jr is at Cannes 78, in the Un certain regard with his debut feature “My Father’s shadow.“
Co-written with his brother Wale, the film is a semi- autobiographical tale set in 1993’s Nigerian election crisis and it follows two brothers on a trip with their estranged father.
“My Father’s shadow” manages to tell us about the history of a country through the filter of one’s personal experience. Davis Jr. lets us breathe Nigeria of that particular political moment in time but at the same time he makes a delicate coming of age.
“My Father’s shadow” , is also the first film from Nigeria to be selected to play in the Cannes Film Festival.
A semi-autobiographical tale set over the course of a single day in the Nigerian metropolis Lagos during the 1993 Nigerian election crisis. The story follows a father, estranged from his two young sons, as they travel through the massive city while political unrest threatens their journey home.
Director Pedro Pinho on the concept of "I Only Rest in the Storm": "I wanted to continue to explore the concept of polyphony, of creating a situation where different voices come together to reflect upon a given subject."
Spectateurs! special screening in Cannes 77, is Arnaud Desplechin’s love letter to cinema and its audience
Gazer, at the Cannes Directors Fortnight, is a dream come true for director J.Sloan and protagonist Mastroianni: they conceived it, wrote it and produced it.
Eephus, screening in the Directors’ Fortnight 2024, is a melancholic hangout film reflecting on time passing
Cannes 2025 closed with a standing ovation for Iranian filmmaker Jafar Panahi, whose Un Simple Accident took the Palme d’Or.
Alpha by Julia Ducornau, marks the director’s comeback in Cannes competition after the Palme d’Or with Titane in 2021
Renoir, in the Cannes 78’s competition, is Hayakawa’s more intimate and personal project after Plan 75
In "Nino", in many ways reminiscent of Agnès Varda's "Cleo from 5 to 7", director Pauline Loquès focuses on trivial, daily things, which she says are her primary material, to explore "what happens when nothing happens"
