Listeners:
Top listeners:
play_arrow
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
play_arrow
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
play_arrow
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
play_arrow
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
play_arrow
POLISH Channel 05
play_arrow
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
play_arrow
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
play_arrow
PORTUGUESE Channel 08
play_arrow
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
play_arrow
SLOVENIAN Channel 10
play_arrow
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
play_arrow
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
play_arrow
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
play_arrow
LATVIAN Channel 18
play_arrow
DANISH Channel 19
play_arrow
HUNGARIAN Channel 20
play_arrow
DUTCH Channel 21
play_arrow
GREEK Channel 22
play_arrow
CZECH Channel 23
play_arrow
LITHUANIAN Channel 24
play_arrow
SLOVAK Channel 25
play_arrow
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
play_arrow
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
play_arrow
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
play_arrow
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
play_arrow
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST | Angelo Acerbi interviews Abdullah Mohammad Saad, director of the film Rehana.
Saad does not know if his film Rehana can be described as a feminist film, but he knew what he wanted the film to convey and look like. he tells us how he worked writing it, who inspired him and how the look of a film such his is important to tell its story.
Rehana: Rehana, an assistant professor at a medical college, struggles to keep the harmony between work and family, as she has to play all the complex roles of a teacher, doctor, sister, daughter, and mother. One evening, she witnesses a student storming out of a professor’s office, crying.Deeply impacted by this event, Rehana’s life starts to spiral out of control. She gradually descends into obsession, seeking retribution, just as she receives a complaint from the school about her six-year-old daughter’s unusual behaviour… Rehana refuses to accept the madness of the patriarchal society she lives in and will put every thing at stake, in order to find justice for her student and her daughter.
At the 78th Cannes Film Festival, Sergei Loznitsa Two Prosecutors delivered a striking reflection on the human cost of authoritarianism, challenging the audience to confront modern echoes of 1937.
Mascha Schilinski’s Sound of Falling (Die Sonne schauen) debuts in Competition at the 78th Festival de Cannes. A poetic, female-led meditation on generational trauma and memory.
Riviera International Film Festival
"AI scares us now, but I believe in a good story telling"
Amélie Bonnin’s debut feature Leave One Day opened the 2025 Cannes Film Festival with a fresh take on the musical genre.
