Michal Blasko – Victim #Venezia79
A woman torn between family and the search for the truth.
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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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Bornila Chatterjee – The Hungry #IFFAM2017
PODCAST| Matt Micucci interviews Bornila Chatterjee, director of the film The Hungry.
Director Bornila Chatterjee presented her film, The Hungry, in competition at the 2nd International Film Festival & Awards Macao. The film is based on William Shakespeare’s goriest play, Titus Andronicus, which she describes as a play known for its gore and violence but undermined by complex themes of power and family. We ask her about what it is that makes Shakespearean works so timeless and so universal. We also ask her about the images of the film, which despite its occasional violent imagery feels like an explosion of colour. This was intentional, as she reveals her wish to depict a “colourful journey that ultimately ends in white.” Chatterjee also talks about her work with the actors and the challenge of keeping everything together, especially while working in a low-budget arena, which prompts one to “learn how to compromise, cheat your way around things.”
The Hungry: This modern-day take on Shakespeare’s bloodiest play Titus Andronicus is set among the fabulously wealthy elite families of north India. The central character is Tulsi Joshi, a widow whose son is about to marry into the Ahuja family, uniting two big business families, when he is discovered dead in the bathtub after an apparent suicide. Two years later Tulsi herself is now about to marry the Ahuja heir but all is not as it seems, and Tulsi believes her son was murdered and she is out for revenge on his killers.
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Pilar Orero, interview with the professor of Audiovisual Translation at the Universitat Autònoma de Barcelona
The professor of Audiovisual Translation Pilar Orero, in Rome for Audecon, remarks that media accessibility is a human right that should be always granted.
“Tiger Stripes”, interview with Amanda Eu
Embark on a cinematic voyage with director Amanda Nell Eu as she delves into the horrors of puberty and societal fears surrounding the female body. 'Tiger Stripes,' her latest creation, weaves a tapestry of coming-of-age and monstrous femininity. Join us in unraveling the layers of Eu's inspiration and the unique …
Embark on a cinematic voyage with director Amanda Nell Eu as she delves into the horrors of puberty and societal fears surrounding the female body. 'Tiger Stripes,' her latest creation, weaves a tapestry of coming-of-age and monstrous femininity. Join us …
“Dream Scenario”, interview with director Kristoffer Borgli
"My movie plays on the idea of the collective unconscious, in a moment in which we live our lives so connected even if we are distant"
“The Old Oak”, interview with director Ken Loach and screenwriter Paul Laverty
"We live in a digital society that isolates us from each other and makes it difficult to create moments of solidarity. But community forms are possible"
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Steve Della Casa, intervista al Direttore Artistico del 41° Torino Film Festival
Isabella Rossellini, intervista all’attrice e regista, Premio alla Carriera alla 18° Festa del Cinema di Roma
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“How to have sex”, interview with Director Molly Manning Walker and actress Mia McKenna Bruce
“Callas Paris, 1958”: interview with the director Tom Volf