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The way to understand that machine all around the world through the eyes and history of Philippines.
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PODCAST| Nicolò Comotti interviews Hans Block, director of the film The Cleaners.
Hans Block talks to us about his documentary feature The Cleaners at TDF20. A work of outstanding maturity for a first film, The Cleaners exposes the dark and secreted world behind the content moderators, people employed by companies that are at the service of the world’s media giants. By kneading a complex and yet balanced network of topics and issues, Hans Block and Moritz Riesewieck show us the effect of Social Media’s hegemonic power on today’s world.
The Cleaners: When you post something on the web, can you be sure it stays there? Entering a hidden shadow industry of digital cleaning, where the Internet rids itself of what it doesn’t like. Reminding us of the shared social vision of a global village and its degeneration into a web of fake news and radicalisation, the film charts the rise and fall of social media’s utopian ideology.
Written by: fredfilmradio
Hans Block Human Rights Nicolo Comotti The Cleaners
Film
The CleanersFestival
Thessaloniki Doc Film FestivalThe way to understand that machine all around the world through the eyes and history of Philippines.
A film about the life of photographer Nan Goldin and her fight against the Sackler family.
Giornate degli Autori - Mostra del Cinema di Venezia
The Opening Film of Giornate degli Autori: a love story of two outsiders in contemporary Lebanon.
An anti-rom-com about a desperate quest for love.
Arturo a los 30, in competition at the 41st Torino Film festival, is Martín Shanly’s second feature following up on his study on people who are not keeping up with society expectations.
White Plastic Sky is Tibor Bánóczki and Sarolta Szabó’s first feature animation film, screening at the 41st Torino Film Festival in competition.
The intensity of the narrative of "Kalak" and the haunting beauty of the surrounding are the perfect combination for a film that is deep and hard and moving.
The professor of Audiovisual Translation Pilar Orero, in Rome for Audecon, remarks that media accessibility is a human right that should be always granted.
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