Nikola Spasic – Kristina #TFF40
Kristina is not jus a portrait of a trans woman, but of a person who deals with the world, as Nikola Spasic tells us.
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Micaela Gonzalo – La Chica Nueva #TFF39
PODCAST | Angelo Acerbi interviews Micaela Gonzalo, director of the film La Chica Nueva.
Micaela Gonzalo talks about her intentions while filming La Chica Nueva, in competition at Torino Film Festival 39. She had a clear idea of the issues she wanted to address and the kind of film making she needed to perform in order to get that result. Let’s hear it form her voice.
La Chica Nueva: Jimena travels to Río Grande, on the island of Tierra del Fuego, the extreme south of Argentina, on a quest to join her half-brother Mariano. She has almost no money for her ticket but manages to finally arrive there, with the hope she will do better in that manufacturing region. The wind, the cold and the complex economic crisis form the background in which Jimena will develop her empathy and sense of belonging with regards to the people around her, as well as where she will learn to acknowledge and finally accept herself.
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“Arturo a los 30”, interview with director Martín Shanly
Arturo a los 30, in competition at the 41st Torino Film festival, is Martín Shanly’s second feature following up on his study on people who are not keeping up with society expectations.
“White Plastic Sky”, interview with directors Tibor Bánóczki and Sarolta Szabó
White Plastic Sky is Tibor Bánóczki and Sarolta Szabó’s first feature animation film, screening at the 41st Torino Film Festival in competition.
“Kalak”, interview with the director Isabella Eklof
The intensity of the narrative of "Kalak" and the haunting beauty of the surrounding are the perfect combination for a film that is deep and hard and moving.
Pilar Orero, interview with the professor of Audiovisual Translation at the Universitat Autònoma de Barcelona
The professor of Audiovisual Translation Pilar Orero, in Rome for Audecon, remarks that media accessibility is a human right that should be always granted.
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