Nikola Spasic – Kristina #TFF40
Kristina is not jus a portrait of a trans woman, but of a person who deals with the world, as Nikola Spasic tells us.
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Mikko Myllylahti – The Woodcutter Story #TFF40
PODCAST | Angelo Acerbi interviews Mikko Myllylahti, director of the film The Woodcutter Story.
Mikko Myllylahti talks about his film The Woodcutter Story, about the sheer optimism of his lead character that goes beyond and against any bad luck he faces. Mikko tells us about the man who inspired the story and the visual inspirations that made the film the little masterpiece it is.
The Woodcutter Story: Pepe is a woodcutter in an idyllic small town in northern Finland. Over the span of a couple of days, a series of events gradually destroys the quiet and happy life he once had. But Pepe seems to be totally fine with it all. As the ensuing days throw all sorts of chaos and strife and surreal adventure at him, Pepe remains determined to look on the bright side of life. Always smiling, always optimistic. As if he knew a secret to existence that no one else did…
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Avi Mograbi – The First 54 Years – An Abbreviated Manual For Military Occupation #TFF39
An intelligent film to explain the Israeli-Palestinian crisis in the form of a common tutorial.
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“Do Not Expect too much from the end of the world”, interview with the actress Ilinca Manolache
Do Not Expect too much from the end of the world, screening out of competition at the 41st Torino Film Festival is a feminist tale on the contradictions of modern society.
“Arturo a los 30”, interview with director Martín Shanly
Arturo a los 30, in competition at the 41st Torino Film festival, is Martín Shanly’s second feature following up on his study on people who are not keeping up with society expectations.
“White Plastic Sky”, interview with directors Tibor Bánóczki and Sarolta Szabó
White Plastic Sky is Tibor Bánóczki and Sarolta Szabó’s first feature animation film, screening at the 41st Torino Film Festival in competition.
“Kalak”, interview with the director Isabella Eklof
The intensity of the narrative of "Kalak" and the haunting beauty of the surrounding are the perfect combination for a film that is deep and hard and moving.
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