“The Palace”, interview with actor Oliver Masucci
"The Palace" by Roman Polanski opens the door to a world of excess, futility and grotesque, to portray with irony the world of the rich and tgeir idiosyncrasies, that have no boundaries.
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Ricky d’Ambrose – The Cathedral #Venezia78
PODCAST | David Martos interviews Ricky d’Ambrose, director of the film The Cathedral.
Ricky d’Ambrose, director of The Cathedral, talks to FRED about his joining to the Biennale College Cinema project, and how the plot of The Cathedral has kept seducting him since he was a child.
The Cathedral: An only child’s meditative, impressionistic account of an American family’s rise and fall over two decades.
Channel posts
“Skin on Skin”, interview with director Simon Schneckenburger
Skin on Skin, the passionate and unexpected love story by Simon Schneckenburger is taking part to the 8th edition of Future Frames at KVIFF
“Dissection of an incoherence in Crisis”, interview with director Nausica Serra
Dissection of an incoherence in crisis, a Catalan but universal story world premiering at the 8th Future Frames at the KVIFF
Paolo Sorrentino’s La Grazia to Open the 82nd Venice International Film Festival
Paolo Sorrentino’s “La Grazia” to open the 82nd Venice Film Festival on August 27, 2025. World premiere with Toni Servillo in competition at Biennale Cinema.
“Son of Happiness”, Interview with Director Dominik Mirecki
In Son of Happiness, Dominik Mirecki tells the moving story of Beniamin, a boy with Down syndrome who dreams of acting. Through heartfelt realism and emotional depth, Mirecki explores family bonds, love, and the courage to dream—even when the world …
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“Skin on Skin”, interview with director Simon Schneckenburger
“Dissection of an incoherence in Crisis”, interview with director Nausica Serra
Paolo Sorrentino’s La Grazia to Open the 82nd Venice International Film Festival
“Son of Happiness”, Interview with Director Dominik Mirecki
“Karaokiss”, Interview with Director Mila Ryngaert