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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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Haifaa Al-Mansour - The Wedding Singer's Daughter #Venezia75 fredfilmradio
PODCAST| Matt Micucci interviews Haifaa Al-Mansour, director of the film The Wedding Singer’s Daughter.
Filmmaker Haifaa Al-Mansour directed The Wedding Singer’s Daughter, one of the two Miu Miu Women’s Tales short films presented at the 75th Venice International Film Festival and featured in the program of the Giornate degli Autori strand. The director tells us about her choice for the subject of the film, the perception of the role of an artist in her native country of Saudi Arabia, and in honor of Miu Miu’s series, to mention and highlight the work of a woman in film that she particularly admires.
The Wedding Singer’s Daughter: It’s nighttime in 1980s Riyadh, Saudi Arabia. Glittery and glamorous heels climb out of cars. Women shrouded in traditional black abayas make their way into a wedding hall. There, they reveal what’s underneath: dazzling dresses and wild hair. Their true selves set free, unseen by male gaze. There are strict segregation rules in Saudi weddings. All eyes and ears are on the wedding singer; until the electricity cuts out suddenly. “This is the worst wedding singer ever,” guests mutter, condescendingly. Will the young daughter manage to save her mother’s dignity?
Project Manager Nikola Joetze and Programme Manager Tobias Pausinger on this year’s theme: “Creating (and) Confusion – Cinema, Chaos and the Power of Discomfort.”.
The Berlinale Pro* Director Tanja Meissner introduces the numerous new initiatives the EFM is starting this year such as the EFM Animation Days, EFM Beyond and EFM Frontières Focus
Discover the secrets of the Co-Production Market at Berlinale—top projects, selection process, and how it fuels international collaborations in film and series, through the words of is Head, Martina Bleis.
INCinema - Il Festival per Tutti
INCinema returns to Florence on January 31, 2026 at the Cinema La Compagnia with Radiance by Naomi Kawase and The Way We Were by Sydney Pollack.
