“Reedland”, interview with the director Sven Bresser
"Reedland" by Sven Bresser tells the change in the life of a reed cutter when he found a body of a dead girl in his own reed lands. Not a murder mystery film though, mora of a path of evolving …
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Paolo Manera, director of Film Commission Torino Piemonte Angelo Acerbi
We meet in Cannes at the Film market with Paolo Manera director of the Film Commission Torino Piemonte, one of the oldest and most active film commission in Italy, in Cannes to celebrate with an event together with longtime partners of the commission the 25 years of activity.
Paolo Manera talks about the events in Cannes but he also has a specific attitude that his commission has followed and that he believes to be the best if not only way to develop and grow, that he wants to share: looking at the future, and be ready to innovate and test new ideas and new possibilities even if they can seem difficult or strange. this si how the film commission Torino Piemonte grew reaching goals that were unthinkable at the beginning.
Written by: Angelo Acerbi
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Paolo ManeraFilm
Festival
Festival de Cannes"Reedland" by Sven Bresser tells the change in the life of a reed cutter when he found a body of a dead girl in his own reed lands. Not a murder mystery film though, mora of a path of evolving …
Armand is Halfdan Ullmann Tøndel’s debut feature with the chameleonic Renate Reisnve, at Cannes 77
Gints Zilbalodis discusses his film "Flow" at Cannes77: its visual storytelling, themes of fear and trust, and his evolution from "Away."
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"We live in a digital society that isolates us from each other and makes it difficult to create moments of solidarity. But community forms are possible"
Director Pedro Pinho on the concept of "I Only Rest in the Storm": "I wanted to continue to explore the concept of polyphony, of creating a situation where different voices come together to reflect upon a given subject."
Alexe Poukine, director of "Kika": "We were really lucky with the cast. I think this is the most successful thing in the film. They brought a lot of themselves to their characters and you can see it."
Laura Wandel’s Adam’s sake, at the Semaine de la critique, relies on the perfect duo: Léa Drucker and Anamaria Vartolomei
Two Prosecutors, based on Georgy Demidov’s novella, marks Loznitsa’s return to fiction and to Cannes competition
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