“Amrum”, interview with director Fatih Akin
"We are humans, but in the end, we are animals".
Listeners:
Top listeners:
00:00
00:00
volume_up
chevron_left
-
play_arrow
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
-
play_arrow
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
-
play_arrow
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
-
play_arrow
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
-
play_arrow
POLISH Channel 05
-
play_arrow
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
-
play_arrow
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
-
play_arrow
PORTUGUESE Channel 08
-
play_arrow
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
-
play_arrow
SLOVENIAN Channel 10
-
play_arrow
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
-
play_arrow
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
-
play_arrow
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
-
play_arrow
LATVIAN Channel 18
-
play_arrow
DANISH Channel 19
-
play_arrow
HUNGARIAN Channel 20
-
play_arrow
DUTCH Channel 21
-
play_arrow
GREEK Channel 22
-
play_arrow
CZECH Channel 23
-
play_arrow
LITHUANIAN Channel 24
-
play_arrow
SLOVAK Channel 25
-
play_arrow
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
-
play_arrow
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
-
play_arrow
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
-
play_arrow
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
-
play_arrow
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
“Wild Foxes”, an interview with director Valéry Carnoy
In "Wild Foxes", director Valéry Carnot points the finger at old patriarchal patterns, and the image of virility teenage boys are still raised with
Belgian director Valéry Carnoy, highly praised at international festivals for his short films “My Planet” and “Titan“, presented his debut feature, “Wild Foxes”, starring the up and coming young actor Samuel Kircher (known for his stunning performance opposite Léa Drucker in Catherine Breillat‘s “Last Summer“), at the Director’s Fortnight.
This arresting, both realistic and poetic film, revolving around a reflection on the way teenage boys are still led to build their minds and bodies according to an idea of masculinity inextricably tied up with patriarchy, invisible pain, friendship, and the need for a teenager to escape what has been imposed on him to grow up into who he really is or wants to be, is also a contender for the Caméra d’or of the 78th Cannes Film Festival.
On masculinity in a community of teenage boys who are also training to become boxers
“It was important for me to talk about virility/masculinity, and all the injunctions that go with it, and about what is it to be a man, I mean what is it to be a man today, because in a patriarchal society, it’s always a big deal.“
On the choice of becoming a boxing champion
“When you’re a teenager and you train at a sport at a very high level, there is the question of when you decided to do this and in the film, it happened when he was very young, so he didn’t really decide to do this. And boxing at a competitive level, it’s hard: you have to punch other people and you have to get the punches… And he got friends thanks to that, and because he’s good, he got even more friends, and popularity, but he didn’t really decide that that was what he wanted… It’s just the others who decide for him…And suddenly, because of the accident and all the psychological things happening to him, he understands that he doesn’t want to punch someone else, but because of the male pressure, because of all the things happening to him, because he is good, he has to keep going and going and this is very unfair, because he understands that as a teenager, he is not that and it’s not that what he wants to do… I thought all this struggling would make for a good script.“
About the encounter with Yas, a taekwondo student who also plays the trumpet in secret
“Yas wants to practice taekwondo, and she wants to make music: she just wants to be happy. She’s another kind of kid, she’s a bit of a guide for Camille, because she shows him that he doesn’t need to take himself too seriously: he can just be himself. That’s why this is an initiatory film, because Camille understand Yas and follows Yas, and discovers another way to be that the others don’t understand.“
Plot
At a sports boarding school, talented young boxer Camille narrowly survives a fatal accident, saved by his best friend Matteo. After a swift recovery, an inexplicable pain gradually takes hold of him, threatening his dreams of greatness and his relationship with the team. In the ring and in a man's world, there’s no room for weakness.
Channel posts
“Big Girls Don’t Cry”, Interview with the director, Paloma Schneideman, and the producer, Jane Campion
Big girls don't cry captures the wild, unfiltered world of teenage life in 2006—and the filmmaker’s journey from Jane Campion’s mentorship to the big screen.
Rome Film Fest 2026: I See Buildings Fall Like Lightning wins Best Film
Clio Barnard's I See Buildings Fall Like Lightning leads the Rome Film Fest 2026 winners, with major awards also going to Congo Boy, Mustang and The Life and Deaths of Wilson Shedd. The complete list of winners and the festival's …
“Me, You”, interview with actress Sonia Ammar
At the Rome Film Fest 2026 with Me, You, protagonist Sonia Ammar on Caia, the young woman at the heart of Bille August’s film and on the invisible scars of war
“Big Girls don’t cry”, interview with director Paloma Schneidman
At Alice nella Città 2026 with Big Girls Don't Cry, Paloma Schneidman on adolescence, desire and the blurry space between child and adult