“A Day in the Life of Jo: Chapter Phaedra”, interview with director Jacqueline Lentzou
"A Day in a Life of Joe: Chapter Phaedra" by director Jacqueline Lentzou blends ordinary moments with cosmic reflections in a surreal, emotional story.
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"What Belongs to Others", interview with director Grzegorz Dębowski and producer Agnieszka Skalska Cristiana Palmieri
What Belongs to Others by director Grzegorz Dębowski, presented in Orizzonti at the Venice Film Festival 2026, explores a few days in the life of Kasia, a woman involved in break-ins, and delves into themes of loneliness, human connection, and deception.
Director Grzegorz Dębowski explains that the film begins with a tense, crime-driven atmosphere but gradually shifts focus toward more personal and spiritual themes. Inspired by Korean filmmakers known for genre mixing, Dębowski keeps viewers engaged while gradually revealing deeper aspects of human relationships. The narrative centers on Kasia’s complex emotional world, which unfolds through her interactions during these few days. Producer Agnieszka Skalska adds that her initial connection to the script stemmed from its compelling storytelling and the empathy she felt for Kasia. She emphasizes that the film’s rhythm aligns with Kasia’s character development, making her growth feel authentic and compelling.
Dębowski reflects on the intriguing idea that Kasia’s lies about her identity serve as a pathway to emotional honesty. He notes that modern society often involves people pretending or hiding aspects of themselves to be accepted, which inspired the film’s exploration of deception. Kasia’s ability to forge connections through her falsehoods reveals a paradox: sometimes, fiction or lies can uncover deeper truths about human needs for love and belonging.
Skalska highlights that her support for the project was rooted in the script’s strong social commentary, particularly about urban loneliness and the hidden lives within homes. The film was written with a specific actress in mind, Monika Sabina Kwiatkowska, whose presence adds a layer of inspiration to the project. What Belongs to Others challenges audiences’ perceptions of morality and connection, making it a timely reflection on contemporary society.
Kasia earns her living by breaking into apartments with her boyfriend. During one of their break-ins, she discovers the body of a man who has committed suicide. Shortly after, her boyfriend is arrested. Left alone, Kasia decides to go back to the dead man’s apartment and starts pretending that they were together. At first, her deception is driven by a desire to get the man’s money – she tries to take over his insurance policy and take possession of his belongings and income. Over time, however, she becomes increasingly curious about who he was, and as she learns more about his life, she begins to form a sort of relationship with him – getting to know his loved ones and his story. As her investigation into the dead man’s identity unfolds, Kasia falls in love. Perhaps not so much with the man she never met, but with her own story, her own lie. Her journey becomes an opportunity for this estranged, fractured family to come together again – if only for a moment.
Cudze rzeczy is a story about how far apart we, as human beings, can drift from one another – so far that sometimes only a lie, and pretending to be someone we are not, can make others see us as human again.
Written by: Cristiana Palmieri
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