“Mr Nelson, Did You Kill People?”, intervista al regista Shinya Tsukamoto
Mr Nelson, Did You Kill People? di Shinya Tsukamoto, in concorso a Venezia 2026: guerra, trauma e falso eroismo.
Mr Nelson, Did You Kill People? di Shinya Tsukamoto, in concorso a Venezia 2026: guerra, trauma e falso eroismo.
I figli della scimmia di Tommaso Landucci, in Orizzonti a Venezia 2026: Scamarcio e Russo Alesi sulla paternità.
"15/18" de Cédric Khan aborde avec sensibilité et una grande attention le monde des adolescents en psychiatrie, un sujet peu traité au cinéma mais crucial à comprendre.
Marco Bechis e Adriano Giannini raccontano Ritorno a Buenos Aires, in concorso a Venezia 2026.
"Union Town" by director Barbara Kopple, mightily highlights the ongoing fight for workers' rights and unionization, revealing powerful stories of resilience and activism.
"A Day in a Life of Joe: Chapter Phaedra" by director Jacqueline Lentzou blends ordinary moments with cosmic reflections in a surreal, emotional story.
"Until the Day Ends", by director Jelena Maksimović, explores love across political divides, capturing Serbia's protests and the hope for change in a powerful, cinematic journey.
"What Belongs to Others" by director Grzegorz Dębowski is a crime story that reveals deep human connections and loneliness, challenging perceptions of deception and truth.
Giovanni Veronesi, Pierfrancesco Favino e Silvio Orlando raccontano Dio ride, film di chiusura di Venezia 2026.
Jupiter de Alexandre Smia et avec Denis menochete et Reda Kateb est un film captivant mêlant crise ukrainienne et dissuasion nucléaire, révélant les paradoxes d'une politique de paix à travers une mise en scène immersive.