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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Han Jun-hee – Director – Coin Locker Girl.
FRED’s Matt Micucci interviews Han Jun-hee, whose feature directorial debut “Coin Locker Girl” was featured in the programme of the Semaine de la Critique at this year’s Cannes Film Festival.
He talks with us about the influence the film noir genre has on his film. He also talks with us about his choice of having the female characters in this particular film as female, and the different types of sensibilities this particular choice can bring to a project.
Han Jun-hee also talks about the themes that he deals with in this film, such as the theme of family and “being useful” and reveals to us what it feels like to have his feature directorial debut screening in Cannes.
COIN LOCKER GIRL: As a just-born-baby, ‘Il-young’ gets abandoned in the coin-locker #10 of a subway station. Eight years later, she is sold off to the godmother of a Chinatown ring known as ‘Mom’, and becomes a member of her family.
Only the useful ones can survive in this family of Chinatown. Coin Locker Girl is a story of two women who have found their own ways to survive in a cruel, harsh world.
Big girls don't cry captures the wild, unfiltered world of teenage life in 2006—and the filmmaker’s journey from Jane Campion’s mentorship to the big screen.
Clio Barnard's I See Buildings Fall Like Lightning leads the Rome Film Fest 2026 winners, with major awards also going to Congo Boy, Mustang and The Life and Deaths of Wilson Shedd. The complete list of winners and the festival's …
At the Rome Film Fest 2026 with Me, You, protagonist Sonia Ammar on Caia, the young woman at the heart of Bille August’s film and on the invisible scars of war
At Alice nella Città 2026 with Big Girls Don't Cry, Paloma Schneidman on adolescence, desire and the blurry space between child and adult
