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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LATVIAN Channel 18
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DANISH Channel 19
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HUNGARIAN Channel 20
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Han Jun-hee – Director – Coin Locker Girl.
FRED’s Matt Micucci interviews Han Jun-hee, whose feature directorial debut “Coin Locker Girl” was featured in the programme of the Semaine de la Critique at this year’s Cannes Film Festival.
He talks with us about the influence the film noir genre has on his film. He also talks with us about his choice of having the female characters in this particular film as female, and the different types of sensibilities this particular choice can bring to a project.
Han Jun-hee also talks about the themes that he deals with in this film, such as the theme of family and “being useful” and reveals to us what it feels like to have his feature directorial debut screening in Cannes.
COIN LOCKER GIRL: As a just-born-baby, ‘Il-young’ gets abandoned in the coin-locker #10 of a subway station. Eight years later, she is sold off to the godmother of a Chinatown ring known as ‘Mom’, and becomes a member of her family.
Only the useful ones can survive in this family of Chinatown. Coin Locker Girl is a story of two women who have found their own ways to survive in a cruel, harsh world.
Project Manager Nikola Joetze and Programme Manager Tobias Pausinger on this year’s theme: “Creating (and) Confusion – Cinema, Chaos and the Power of Discomfort.”.
The Berlinale Pro* Director Tanja Meissner introduces the numerous new initiatives the EFM is starting this year such as the EFM Animation Days, EFM Beyond and EFM Frontières Focus
Discover the secrets of the Co-Production Market at Berlinale—top projects, selection process, and how it fuels international collaborations in film and series, through the words of is Head, Martina Bleis.
INCinema - Il Festival per Tutti
INCinema returns to Florence on January 31, 2026 at the Cinema La Compagnia with Radiance by Naomi Kawase and The Way We Were by Sydney Pollack.
