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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST | Matt Micucci interviews Roy Andersson, director of the film About Endlessness.
An interview with Roy Andersson, whose film About Endlessness was presented in the competition of the 2019 Venice International Film Festival. This is a continuation of his previous work, A Pigeon Sat on a Branch Reflecting on Existence, which won the Golden Lion in Venice in 2014. Here, he returns to his reflections on existence in his now trademark style. He talks about this style which he has developed, his admiration of Albert Camus, his impulsiveness and more.
About Endlessness: A reflection on human life in all its beauty and cruelty, its splendour and banality. We wander, dreamlike, gently guided by our Scheherazade-esque narrator. Inconsequential moments take on the same significance as historical events: a couple floats over a war-torn Cologne; on the way to a birthday party, a father stops to tie his daughter’s shoelaces in the pouring rain; teenage girls dance outside a café; a defeated army marches to a prisoner of war camp. Simultaneously an ode and a lament, Om det oändliga presents a kaleidoscope of all that is eternally human, an infinite story of the vulnerability of existence.
Big girls don't cry captures the wild, unfiltered world of teenage life in 2006—and the filmmaker’s journey from Jane Campion’s mentorship to the big screen.
Clio Barnard's I See Buildings Fall Like Lightning leads the Rome Film Fest 2026 winners, with major awards also going to Congo Boy, Mustang and The Life and Deaths of Wilson Shedd. The complete list of winners and the festival's …
At the Rome Film Fest 2026 with Me, You, protagonist Sonia Ammar on Caia, the young woman at the heart of Bille August’s film and on the invisible scars of war
At Alice nella Città 2026 with Big Girls Don't Cry, Paloma Schneidman on adolescence, desire and the blurry space between child and adult
