“Moonfish”, interview with director Daniel Zvereff and producer Mireia Vilanova
Daniel Zvereff and Mireia Vilanova talk about Moonfish, the first animated film at Biennale College Cinema 2026.
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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"Demetra in Esilio", interview with the director Maria Giovanna Cicciari and the producer Raffaella Pontarelli Carolina Mancini
Demetera in Esilio is one of the four projects supported by Biennale College and screened this year in Venice Film Festival 2026. We talked to the director, Maria Giovanna Cicciari, and the producer, Raffaella Pontarelli (Amarena Film) after the official screening of the film which is a contemporary interpretation of the myth of Demeter and Persephone, an original way to speak about mother-daughter and man-nature relationships.
Maria Giovanna Cicciari says that she wrote the first draught of the story 10 years ago after a trip to Greece and after reading “Gods in Exiles” by German poet Heinrich Heine, and decided to bring the myth of Dimiter and Persephone in Milano after the end of the, of the pagan era. After 10 years, she met Raffaella Pontarelli who like the script and asked her to develop it together.
Raffaella Pontarelli said what she liked most to tell about the story is the relationship between mother and daughters using the ancient myth and what she mostly loved was the deepness of the feelings that Maria Giovanni was able to express through the story.
Maria Giovanna Cicciari says she put in Demetera in Esilio all her past experimental experiences, like shooting in 16 millimetres, documenting performing arts and dance. In the film there is a 16 millimetre film that comes from the past but still resonates in the present of the film.
Raffaella Pontarelli points ut that Biennale College was a quite intense experience because they had to pass through several workshops and a selection process. When they were selected in November, they had to immediately start production and they start shooting in April during the Eastern holidays. After that they had other two months of editing, mixing doing the colour ….
They were granted 200K by Biennale College and had to stick on this budget but they had the possibility to find technical partners that helped them in kind, like Movie People and SUBTI.
Overall she defines Demetera in Esilio a very important creative challenge, from which they learn a lot, since they were pushed to find creative solutions to the many difficlties generated by shortage of time and money. Now they are looking for a sales agent and in the meantime, after Venice, the film will be screened in Fondazione Prada on the 19th of September in Milan.
It is summer in Milan. The city is quiet. Daria and Lia, a mother and her young daughter, go about their daily routine. Daria no longer leaves the house and has created a small ecosystem of plants inside the flat. Lia only goes out to do the shopping and to work on her art project inspired by the myth of Demeter and Persephone. It is the images she films outside her home that lead her, little by little, to recognise her own destiny.
Written by: Carolina Mancini
Film
Demetera in EsilioFestival
Mostra del Cinema di VeneziaDaniel Zvereff and Mireia Vilanova talk about Moonfish, the first animated film at Biennale College Cinema 2026.
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