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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Festival de Cannes International
"Reedland" by Sven Bresser tells the change in the life of a reed cutter when he found a body of a dead girl in his own reed lands. Not a murder mystery film though, mora of a path of evolving perception of himself and his relation to life and nature, of a reed cutter masterfully played by a first time non professional actor.
Festival de Cannes International
"Que Ma Volonté Soit Faite" est le film de Julia Kowalski, présenté dans la Quinzaine de Réalisateurs au 78ème Festival De Cannes. un fil dark, avec des traits de surnaturel qui s'inspirent à Friedkin, pour l'histoire de emancipation d'une jeune fille dans un milieu rurale
Festival de Cannes International
Alexe Poukine, director of "Kika": "We were really lucky with the cast. I think this is the most successful thing in the film. They brought a lot of themselves to their characters and you can see it."
Festival de Cannes International
Laura Wandel, réalisatrice de "L'Intérêt d'Adam", le film d'ouverture de la Semaine de la Critique 2025 : "Le monde de l’enfance me fascine, car il représente le futur de l’humanité, mais n’est pas assez souvent pris en compte".
Festival de Cannes International
Dalla 78esima edizione del Festival di Cannes tutto quello che c'è da sapere, ogni giorno. Ascolta The Soup of The Day! lo Show quotidiano di FRED Film Radio.
Festival de Cannes International
Dalla 78esima edizione del Festival di Cannes tutto quello che c'è da sapere, ogni giorno. Ascolta The Soup of The Day! lo Show quotidiano di FRED Film Radio.
Festival de Cannes International
Laura Wandel’s Adam’s sake, at the Semaine de la critique, relies on the perfect duo: Léa Drucker and Anamaria Vartolomei
Festival de Cannes International
Two Prosecutors, based on Georgy Demidov’s novella, marks Loznitsa’s return to fiction and to Cannes competition
Festival de Cannes International
At the 78th Cannes Film Festival, Sergei Loznitsa Two Prosecutors delivered a striking reflection on the human cost of authoritarianism, challenging the audience to confront modern echoes of 1937.
