Inspired by the true story of professor, Gary Johnson, who worked as phony hit man for the New Orleans Police Department for years, Oscar®-Nominated director Richard Linklater directed Hit Man, screening at the 80th Venice International Film Festival out of competition and written with the film’s star Glen Powell.
Thanks to the actor, Linklater managed to find the key to turn Johnson’story into a film as Powell recalls: “There was one line near the end of the article about Gary Johnson finding this woman who was trying to kill her husband but seeing the humanity in her. He looked at this person and thought, ‘This is a victim of their circumstances, and I want to help them through this thing.’ A guy who imitated humanity was in turn finding his own humanity. That relationship turned out to be key to the entire movie.”
With the “interference of Glen Powell, Linklater also mastered his first scene ever in a film that sees the romantic and sexy involvement of Powell and Adria Arjona playing Madison. Richard Linklater is the recipient of this year’sFRED Award at the Venice International Film Festival.
Plot
Hit Man is loosely based on a true crime article I read almost twenty years ago in the Texas Monthly. The film is attempting to hit a lot of notes—comedy, noir, thriller, psychological study—while examining most of all the concept of identity and how fixed our personalities may or may not be.
Big girls don't cry captures the wild, unfiltered world of teenage life in 2006—and the filmmaker’s journey from Jane Campion’s mentorship to the big screen.
Clio Barnard's I See Buildings Fall Like Lightning leads the Rome Film Fest 2026 winners, with major awards also going to Congo Boy, Mustang and The Life and Deaths of Wilson Shedd. The complete list of winners and the festival's …
At the Rome Film Fest 2026 with Me, You, protagonist Sonia Ammar on Caia, the young woman at the heart of Bille August’s film and on the invisible scars of war