Interview with Ada Solomon, chair of the European Film Academy
Ada Solomon on I Matter, young audiences and diversity in European cinema, at the Venice Film Festival 2026.
Listeners:
Top listeners:
play_arrow
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
play_arrow
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
play_arrow
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
play_arrow
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
play_arrow
POLISH Channel 05
play_arrow
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
play_arrow
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
play_arrow
PORTUGUESE Channel 08
play_arrow
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
play_arrow
SLOVENIAN Channel 10
play_arrow
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
play_arrow
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
play_arrow
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
play_arrow
LATVIAN Channel 18
play_arrow
DANISH Channel 19
play_arrow
HUNGARIAN Channel 20
play_arrow
DUTCH Channel 21
play_arrow
GREEK Channel 22
play_arrow
CZECH Channel 23
play_arrow
LITHUANIAN Channel 24
play_arrow
SLOVAK Channel 25
play_arrow
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
play_arrow
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
play_arrow
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
play_arrow
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
play_arrow
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
play_arrow
"Conversation With The Sea", interview with director Muayad Alayan and writer Rami Alayan Gianluca De Angelis
During the Venice International Film Festival 2026 we spoke with director Muayad Alayan and writer Rami Alayan for the film Conversation With The Sea, presented here at the Venice Spotlight section of the Festival. A story inspired by true personal family events set in Jerusalem where the city is a big protagonist as well, and where a mystery lays into the waves of the sea.
During our interview with FRED Film Radio, the director Muayad Alayan told us that Jerusalem is far more than a setting here in Conversation With The Sea: it is a recurring presence in his cinema, almost a character in itself, shaped by memory, history and the contradictions of everyday Palestinian life. In the film the city becomes indeed a space where personal memories coexist with systematic processes of erasure, displacement and occupation. Alayan describes his relationship with Jerusalem as deeply ambivalent, marked by both love and resentment, and this tension directly informs the emotional landscape of the film. Rather than approaching political realities through abstraction, his cinema focuses on ordinary people and on the intimate consequences of structural violence, and storytelling thus becomes a way of preserving experiences and identities that risk being erased, while cinema itself acts as a means of affirming Palestinian presence and existence.
The writer of the film Rami Alayan reflected on filmmaking as well, as an act that can appear fragile or even futile in times of political turmoil, yet precisely for this reason can become an expression of hope and resistance. Cinema, for him, offers the possibility of projecting Palestinian stories beyond physical and political borders, and creating a dialogue with audiences elsewhere. A central symbol in Conversation With The Sea is indeed water, and particularly the sea: simultaneously a border and an image of freedom, something that separates but also suggests the possibility of escape and liberation. At the same time, the sea carries associations with death, mourning and loss. This duality becomes essential to the Conversation With The Sea film visual and symbolic language, connecting memory, grief and the desire for freedom in a single recurring image.
In Jerusalem, Kamal, a 60-year-old Palestinian man, is ordered by an Israeli court to pay a large social security debt allegedly owed by his son Wael. But Wael drowned in the Red Sea decades ago. When no official record of his death can be found, Kamal follows the only remaining lead to uncover what happened to his son.
Written by: Gianluca De Angelis
Festival
Mostra del Cinema di VeneziaAda Solomon on I Matter, young audiences and diversity in European cinema, at the Venice Film Festival 2026.
In FALLING HOUSE (Moragheb), Mohsen Gharaei discusses a family home transformed into a prison by fear, authority and the desire for freedom.
Opening Orizzonti at Venice 83 with La ragazza con la Leica, Alina Marazzi and Emilia Schüle on Gerda Taro's legacy and the courage of today's war reporters
Interview with László Nemes, director of "Orphan", about the power of the past in understanding our present
Across The Bridge: your daily podcast on Venice Production Bridge 2026 — key events, discussions and insider access to the film market.
Sabu presents Arrested Memory at the Venice International Film Festival 2026, exploring memory and identity in Taipei.
Director Lee Chang-dong and cast talk about Possible Love, in Competition at the Venice Film Festival 2026.
Giornate degli Autori - Venezia
Lili Horvát opens Giornate degli Autori at the Venice Film Festival 2026 with My Notes On Mars
© 2023 Emerald Clear Ltd - all rights reserved.