“Deadly Sweet (Col cuore in gola)” pre-opens the 2026 Venice Film Festival
Tinto Brass’ pop thriller returns to the Lido in a 4K restoration for the pre-opening night of the 83rd Venice Film Festival.
Tinto Brass’ pop thriller returns to the Lido in a 4K restoration for the pre-opening night of the 83rd Venice Film Festival.
Filming Italy Sardegna Festival
"Other Side of Fame", Erik Bernard and Sveva Alviti: a story about choices, resilience and the true cost of fame.
Virginie Efira will receive the Leopard Club Award at the 2026 Locarno Film Festival and present Ryusuke Hamaguchi's All of a Sudden.
Venezia 83 confirms the full International Jury for the 2026 Competition, chaired by Maggie Gyllenhaal and composed of six major voices in contemporary cinema.
Asia Argento will receive the Life Achievement Award at the 79th Locarno Film Festival and present "Death Has No Master".
EFP Future Frames 2026 returns to Karlovy Vary with ten emerging European directors and a programme focused on visibility, industry access and new voices.
Marjane Satrapi, author of Persepolis and director of Radioactive, has died at 56. People close to her: “died of sadness” after the death of her husband.
FRED Film Radio celebrates Pride Month 2026 with LGBTQIA+ films, interviews and festival voices on identity, memory and visibility.
Discover the work of British filmmaker and video essayist Charlie Shackelton, winner of last year's Sundance NEXT innovator Award, in the context of his first retrospective in Spain at Documenta Madrid.
For actress Élodie Bouchez, acting with children with a genetic syndrome in Laetitia Masson's "Ulysse", including the director's own teenage son Alphonse Roberts, was like a dance
Adèle Exarchopoulos on her collaboration with Christophe Honoré on "Orange-Flavoured Wedding": 'My friend Vincent Lacoste said, "Follow me, he's a great director!", and he did not disappoint!'
The 73rd edition of the Sydney Film Festival runs from the 3rd to the 14th of June in various locations across Sydney, featuring more thah 250 films from 81 countries, including Cannes winners and groundbreaking new voices.
"Diary of a Chambermaid", by Radu Jude explores everyday life and hidden power struggles, blending theatre, montage, and social satire, based on the book from Octave Mirbeau, and told in an inspired way under the direction of Radu Jude.
Benoît Magimel and Bastien Bouillon, who play two antagonistic figures in Léa Mysius' tense Palme d'Or contender "The Birthday Party", talk script, back story, and on-set surprises
Anime invasion in Cannes. A conversation between Mitchel Berger, Executive Vice President, Global Commerce & Theatrical at Crunchyroll, and Sanford Panitch, President of Sony Pictures Entertainment Motion Picture Group
What Bruno Dumont envisions in "Red Rocks" is 'the world of tomorrow': 'we don't want rules, prescriptions, overprotection, constant interference: we want freedom.'
Cinema as a merged space where physical and virtual environments no longer compete, through the voices of Anna Doublet, Al Kang, Jamie Morgan Lapsley and Josh Vigna
Director Viesturs Kairiss discusses Ulya at Cannes 2026, exploring identity, Soviet Latvia and the human story behind Ulyana Semyonova.
With I See Buildings Fall Like Lightning, Joe Cole and Jay Lycurgo play two friends at a crossroads and discover that the best way to build a character is to leave your inhibitions at the door
With I See Buildings Fall Like Lightning, Anthony Boyle and Lola Petticrew reflect on what it means to be thirty, working-class and stuck in a world that no longer keeps its promises
Jorge Thielen Armand discusses "Death Has No Master", Venezuela, class violence, sound, memory and the house at the centre of the film.
Asia Argento discusses "Death Has No Master", isolation in Venezuela, horror, ownership and her return to Cannes.
Discover Toei Animation's upcoming global strategy, from the Marché du film in Cannes
With Titanic Ocean, Konstantina Kotzamani plunges into a Japanese boarding school for professional mermaids and finds a story about adolescence, fantasy and the struggle to speak for yourself
With Rehearsals for a Revolution, Pegah Ahangarani weaves forty years of Iranian history into a deeply personal documentary and turns memory itself into an act of resistance
With Che Guevara: The Last Companions, Christophe Dimitri Reveille pieces together the untold escape of Che's last fighters and finds that loyalty, betrayal and truth are never black and white
In "Madame", French director Hélène Rosselet-Ruiz digs into the themes of femininity and exploitation by sharing house with the secret mistress of a Saudi Sheikh
Valentina Maurel, the Costa Rican-French director of "Forever Your Maternal Animal", likes a non-linear structure: 'I think characters are enough, sometimes, to make a film.'
Director Sarah Arnold on her debut feature, "Too Many Beasts": 'I made this film so that we don't forget that we have to disobey.'
Actress-turned-director and known feminist activist Judith Godrèche talks about "A Girl's Story", adapted from Nobel Prize winner Annie Ernaux' novel