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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Anna Cazenave Cambet, réalisatrice de "Love Me Tender": "Il y a une obsession sur les personnages féminins : ils devraient absolument susciter de l’empathie. C’est un procès qu’on ne fait pas aux personnages masculins".
Director Neeraj Ghaywan discusses Homebound at Cannes 78—an emotional tale of friendship, dignity, and identity rooted in real-life inspiration.
Romane Bohringer, réalisatrice de "Dites-lui que je l'aime", inspiré du livre du même nom de Clémentine Autain : "Ce film hybride qui est un peu fiction, un peu documentaire, s'est imposé à moi".
Jacopo Chessa, direttore della Veneto Film Commission, ci incontra al Festival di Cannes in occasione della presentazione del film Le Città di Pianura, di Francesco Sossai, primo film completamente veneto ad essere incluso nel programma del festival. Poi, naturalmente, si …
The Phoenician Scheme by Wes Anderson, in Cannes’ competition sees the participation of newcomers Mia Threapleton and Riz Ahmed and welcomes back Richard Ayoade
"La Mort N'existe Pas" est un film d'animation dirigé par Félix Dufour-Laperrière avec le thème de la lutte sociale et de l'usage de la violence comme moyen de révolte. Un film fascinant par ses choix esthétiques et ses dessins que …
The Phoenician Scheme by Wes Anderson, at Cannes 78, is a family story with a vintage old Hollywood’s era look
Interview with Kirill Serebrennikov and August Diehl on The Disappearance of Josef Mengele at Cannes 78 – a chilling look at evil, complicity, and justice.
Diego Céspedes brought to Cannes, in the Un Certain Regard section, his first feature film " The Mysterious Gaze of the Flamingo", a fascinating and heartfelt story of self affirmation and resilience of a queer family in Chile, seen through …
Louise Hémon a présenté son premier long-métrage de fiction "L'Engloutie" au 78ème festival de Cannes. Un film de nature extrême , tourné dans un hameau d'haute montagne dans les Alpes, une histoire de prise de conscience de soi par una …
Valéry Carnoy, director of "Wild Foxes" : "All the others are obsessed by Camille because he is a genius at his sport, but all this obsession and this 'love' is like a punishment for him. It’s like a psychological jail."
Left-Handed Girl, Sean Baker’s producer Shih-Ching Tsou’s first solo project, lands at the Semaine de la Critique
La réalisatrice Alice Douard au sujet de son premier long, "Des preuves d'amour" : "Pour moi la mécanique de l’amour, ça passe par l’admiration. Les mouvements d’amour sont des mouvements de regard entre les gens. Ici, il est question de …
Fuori by Mario Martone, in competition at Cannes 78, marks Matilda De Angelis’ first time at the Festival
Alice Douard’s directorial debut, "Love Letters", at the Semaine de la critique, sees Monia Chokri pairing up with Ella Rumpf.
"We are humans, but in the end, we are animals".
La Ola, the feminist musical from Oscar Winner for A Fantastic Woman, Sebastián Lelio lands Cannes Premiere
“Mama”, the debut feature film by director Or Sinai, was presented as a Special Screening at the 78th Festival de Cannes. A journey into the emotional layers of her protagonist Mila, a Polish immigrant torn between multiple homes and identities.
Dominik Moll on his Palme d'Or contender "Case 137": "There’s a whole lot of footage [on demonstrations and police brutality], and we immediately felt that this was very cinematic, and that the investigation should be structured around those videos."
"Promised Sky" director, Erige Sehiri, on this Tunis-set story: "We have stories about migrants arriving in Europe and struggling in Europe, but we don’t have the stories from before, when they are stopped somewhere, stopped or stuck."
Director Pedro Pinho on the concept of "I Only Rest in the Storm": "I wanted to continue to explore the concept of polyphony, of creating a situation where different voices come together to reflect upon a given subject."
Paolo Manera is the director of the Film Commission torino Piemonte, in Cannes to celebrate the 25 years of activity, with a big event and the help of public and private partners that believed in the objectives the commission is …
"Reedland" by Sven Bresser tells the change in the life of a reed cutter when he found a body of a dead girl in his own reed lands. Not a murder mystery film though, mora of a path of evolving …
"Que Ma Volonté Soit Faite" est le film de Julia Kowalski, présenté dans la Quinzaine de Réalisateurs au 78ème Festival De Cannes. un fil dark, avec des traits de surnaturel qui s'inspirent à Friedkin, pour l'histoire de emancipation d'une jeune …
Alexe Poukine, director of "Kika": "We were really lucky with the cast. I think this is the most successful thing in the film. They brought a lot of themselves to their characters and you can see it."
Laura Wandel, réalisatrice de "L'Intérêt d'Adam", le film d'ouverture de la Semaine de la Critique 2025 : "Le monde de l’enfance me fascine, car il représente le futur de l’humanité, mais n’est pas assez souvent pris en compte".
Laura Wandel’s Adam’s sake, at the Semaine de la critique, relies on the perfect duo: Léa Drucker and Anamaria Vartolomei
Two Prosecutors, based on Georgy Demidov’s novella, marks Loznitsa’s return to fiction and to Cannes competition
Riviera International Film Festival
"AI scares us now, but I believe in a good story telling"
Enzo di Laurent Cantet e Robin Campillo apre la Quinzaine di Cannes 78 e punta su Pierfrancesco Favino
